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A BOOK REVIEW BLOG

The Christmas Party by Karen Swan

When Declan Lorne, the last remaining knight in Ireland, dies suddenly, an ancient title passes with him. But his estate on Ireland’s rugged south-west coast is left to his three daughters. The two eldest, Ottie and Pip, inherit in line with expectations, but to everyone’s surprise – and dismay – it is the errant baby of the family, Willow, who gets the castle.

Why her? Something unknown – something terrible – made her turn her back on her family three years earlier, escaping to Dublin and vowing never to return. So when Willow quickly announces she is selling up, her revenge seems sweet and the once-close sisters are pushed to breaking point: in desperation, Pip risks everything to secure her own future, and Ottie makes a decision that will ruin lives. It’s each woman for herself.

Before moving in, Connor Shaye, the prospective new owner, negotiates throwing a lavish party at the castle just days before Christmas – his hello, their goodbye. But as their secrets begin to catch up with them, Ottie, Willow and Pip are forced to ask themselves which is harder: stepping into the future, or letting go of the past?

The Christmas Party by Karen Swan is a joyous holiday novel about family, legacy, sisterhood, and long-held secrets.

After her father dies suddenly, Willow returns home to Ireland. Surprisingly, her father’s will reveals that Willow is to inherit the desired family castle. The sisters are surprised and disappointed, and their mother shocked.

But the castle doesn’t come without its complications. It’s expensive to run and the estate isn’t making enough money to sustain itself. The family are in a lot of debt and Willow makes the decision to sell the castle. This acts as a catalyst for the family, forcing them to face their tensions and their conflicts.

“If she sold Lorne, she’d be rich. She could go anywhere, do anything, be anyone. Wasn’t that worth the shame and the guilt that had been placed at her door? After all, her life had already changed anyway, the horrors of three years earlier, forcing her to move away from here and everything she had ever known and loved.”

Sisterhood is a strong element to the novel. The POV switches between Ottie, Pip and Willow, who are all trying to navigate their way through this new phase of their lives. Their dad has died, they’re mourning but they’re also trying to work out what to do with the estate, and the three sisters aren’t overly close. There’s an obvious wedge between each of them, and over the course of the novel they must learnt to understand and overcome their issues and move on as a family.

Ottie is the oldest sister and she expected she’d inherit the castle. She’s worked the hardest and the longest, and she was the most devoted. She sacrificed a lot to stay with her dad and help him with the estate.

Pip runs the trekking business on the estate. She’s a tomboy, loves horses, and struggles to trust others. She needs to learn to let others in, and forgive past mistakes.

Willow left home years earlier because of a secret she discovered. Now, she’s home and that secret is about to be unleashed.

“But if their love had started out as an accident, it had become a very deliberate secret and she, for one, was exhausted keeping it. Life was short, her father’s death at fifty-eight proved that. Surely they had to live for today and grab their tomorrows with both hands?”

Setting always holds a strong presence in Karen Swan’s novels, sweeping the reader into this grand tale of exotic, intriguing locations that we all fall into.

Additionally, Karen is really skilled at balancing plot and character, incorporating plenty of drama in her storylines but also delving deep enough into the character POVs that you fall in love with each of the main characters.

“The wind was punishing, pushing them back as they rode headlong into it on the quads. Ottie felt her eyes stream, her heart pounding fast as she tried to keep up. Bertie, driving just ahead, was like a man possessed…his reputation was on the line.”

A sweeping tale that explores familial responsibility and family legacy, sisterhood and relationships, and trusting your instinct.

I’ve read most of Karen’s novels and have enjoyed them all — Christmas is my favourite time of the year and most of her novels are heavily Christmas-themed. There’s plenty of romance, parties, and themed events. Recommended for romance readers.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Christmas Party
Karen Swan
November 2019
Pan Macmillan Publishers

Damascus by Christos Tsiolkas

Christos Tsiolkas’ stunning new novel Damascus is a work of soaring ambition and achievement, of immense power and epic scope, taking as its subject nothing less than events surrounding the birth and establishment of the Christian church.

Based around the gospels and letters of St Paul, and focusing on characters one and two generations on from the death of Christ, as well as Paul (Saul) himself, Damascus nevertheless explores the themes that have always obsessed Tsiolkas as a writer: class, religion, masculinity, patriarchy, colonisation, exile; the ways in which nations, societies, communities, families and individuals are united and divided – it’s all here, the contemporary and urgent questions, perennial concerns made vivid and visceral.

In Damascus, Tsiolkas has written a masterpiece of imagination and transformation: an historical novel of immense power and an unflinching dissection of doubt and faith, tyranny and revolution, and cruelty and sacrifice.

Acclaimed Australian author Christos Tsiolkas’ latest novel, Damascus, is an incredible surprise to read — an astonishing feat, tackling such a huge scope of a story in just 400 pages, but one of my favourite novels of the year and a book I felt completely blindsided by.

Damascus is an ancient biblical story about St Paul and the birth of the Christian Church, introducing us to Paul’s journey and involvement in the Church and other people along the way whose stories intersect with Paul. Christos explores class, family, status, reputation, faith and acceptance, set against the backdrop of the Roman Empire many years after the death of Jesus Christ.

“I was outraged. After such a brazen insult I was ready to go. But just then the screen was drawn and an old woman emerged, her head shrouded, her thin hands clutching a basket laden with dried fruits, breads and pickled nuts. The crowd rose as one and rushed to her….In an instant the basket had been emptied.”

If this book wasn’t written by someone as talented and acclaimed as Christos, I wouldn’t have requested it from the publisher. A tale such as this needs to be tackled properly, respectfully, compassionately, but it also needs to be interesting enough to bring in readers — like me — who don’t care that much for religion or faith. And Christos has done a marvellous job.

I can’t begin to imagine the level of research that would’ve gone into this book — the amount of time it took reading about the life of St Paul. At the end of the book, Christos’ author note tells us why he decided to write about St Paul, and I almost wish I had read this before starting the book. It’s reflective and eye-opening but it also adds a level of depth to the story that altered my perspective and made me think about Damascus on a much deeper level.

“They kill us, they crucify us, they throw us to beasts in the arena, they sew our lips together and watch us starve. They bugger children in front of their mothers and violate men in front of their wives. The temple priests flay us openly in the streets. We are hunted everywhere and we are hunted by everyone …”

Three quarters through the book and I do feel like the momentum slows down a little too much — I felt lost in the story, not entirely sure where it was headed and why we were meant to continue pursing this story. The storyline and characters become a little slow and beige, and my attention wavered. I’m glad I stuck it out though, because the conclusion to the story is authentic and welcome.

Recommended for literary fiction readers. Readers must possess some sort of interest in the Roman Empire because that forms the backdrop for this entire book. I have no interest in religion or Christianity — I am an avid Atheist and nothing will ever change that. And I loved this book. I’m therefore confident this book will appeal to many readers, and will find many loyal fans.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Damascus
Christos Tsiolkas
November 2019
Allen & Unwin Publishers

Supernova by Marissa Meyer

All’s fair in love and anarchy …

Nova and Adrian are struggling to keep their secret identities concealed while the battle rages on between their alter egos and their allies. But their greatest fears are about to come to life. Secrets, lies and betrayals are revealed as anarchy once again threatens to reclaim Gatlon City.

Supernova is the third and final instalment in Marissa Meyer’s Renegades Trilogy, set within the world of superheroes and super-villains.

This review is riddled with spoilers, not just for the series thus far but of Supernova. It’s hard to review this critically without being specific on the examples. Only read on if you’ve read Supernova, or if you’re happy being spoiled.

You can read my review of Renegades HERE and my review of Archenemies HERE.

Sitting at 550 pages, Supernova is a beast of a book. The story picks up almost immediately after Archenemies left off — Nova/Nightmare has stolen Ace Anarchy’s helmet, used Agent N to strip Frostbite, Gargoyle and Aftershock of their powers, and witnessed Max Everhart nearly bleed to death after Frostbite unintentionally stabbed him.

Nova is still in doubt over her true objective, and where her true loyalties lie. She’s falling hard for Adrian Everhart, and she’s developed true friendships with the other Renegades. But she owes Ace Anarchy her life, right? She’s a conflicted character, and she remains conflicted for the majority of the book.

“To a lot of prodigy parents, Max would have been seen as a threat long before he was seen as a child worth loving. For months, after, Max had lived with a civilian foster family who cared for him until Hugh and Simon could figure out what to do. From the start, Hugh had felt it was important for him to be kept close.”

The pacing, dialogue and world-building have always been the strengths of the Renegades Trilogy. Marissa Meyer is really skilled at constructing relatable characters who you can’t help but empathise with or sympathise for. There are moments in Supernova where Nova is a bit unlikeable and her actions are unrealistic — like when she tries to convince Ace Anarchy and the rest of the crew that they should just leave Gatlon City and set up camp somewhere else — but for most of the novel, you’re rooting for her.

Both sides of the war — Renegades and Anarchists — are fighting for what they believe is right. And both sides have beliefs and values that the reader could understand. It’s not black and white, and there are moments of the book that are very grey. It’s easy for the characters to lose sight of what’s important, and how to achieve their end goal.

“Nova was eager to put this charade behind her. As soon as she left headquarters with the fake helmet tucked into a plain tote bag, she marched straight for Blackmire Station, one of the defunct stations on the old Gatlon City subway line.”

Structurally, Supernova falls short. Nova’s secret identity as Nightmare is discovered by Adrian and the gang pretty early on. Understandably, he’s pissed. Nova is immediately imprisoned in Cragmoor Penitentiary, where Ace Anarchy and other dangerous villains are held. This is where the book starts to get really good. You think Nova will work out a way to escape. Maybe she’ll break out Ace as well?

But, the resulting plot line is a disappointment. She claims innocence, Adrian is worried he is wrong, and then one of Nova’s allies dons her suit and delivers a cringe-worthy speech to Adrian that Nova has been framed and….Adrian believes them. And thus, Nova is released from prison and all returns to normal.

It’s a soft plot point — it feels like the author wrote herself into a corner and took the easy way out. It also gives the reader whiplash and severe disappointment, because of all the ways the plot could’ve gone, mistaken identity and the classic ‘I was framed’ storyline was the weakest option.

Another weak element of the book are the action/fighting scenes. I felt myself growing bored whenever they came up, perhaps because they were too long and stretched over multiple chapters. Perhaps because the writing wasn’t as tight and polished as it needs to be during a fight scene.

“Dazed, Nova looked down to see one hive with a footprint shoved into its papery shell in the centre of the room. She’d moved so fast, she hadn’t even noticed stepping on it. The bees who had called it home were swarming around, apparently enraged, but they were not the insects that worried her.”

A solid conclusion to an explosive and action-packed series. Even with a few questionable plot points and unrealistic, far-fetched moments, Supernova will please fans of the series.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Supernova
Marissa Meyer
November 2019
Pan Macmillan Publishers

Wearing Paper Dresses by Anne Brinsden

You can talk about living in the Mallee. And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things.

But Elise wasn’t from the Mallee, and she knew nothing of its ways.

Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive.

And so it is with Elise. Her meringues don’t impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.

As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can’t forget…

Wearing Paper Dresses is a debut literary novel from Australian author Anne Brinsden, set in rural Mallee in the 1950s, which explores notions of family, land, mental illness and responsibility.

Glamorous, sophisticated, talented Elise leaves the city and moves with her two children and her husband to her father-in-law’s wheat and sheep farm in Mallee. The townsfolk are instantly suspicious of her and her ‘city’ ways. She drinks coffee and not tea and she doesn’t understand what it’s like to live in such a harsh environment.

Most of the novel is from the POV of Elise’s daughter Marjorie, and over the years, we witness Elise’s mental health deteriorate. She starts talking to plastic flowers and wearing tea cosies on her head. Her husband and father-in-law acknowledge her health but pretend to ignore it; they assume it’ll solve itself. Wearing Paper Dresses highlights how poorly mental illness was received in the 1950s.

“The talk might have stopped but the hint of a glittery look didn’t. The tea in the teapot went cold from then on. But naked teapots and cold tea didn’t bother Elise because she drank coffee — and coffee percolators didn’t generally dress themselves in cosies.”

Through Marjorie’s perspective, we experience the hurt, confusion and the embarrassment that she feels growing up. But we also witness the solid bond she forms with her sister Ruby, and there’s definitely a strong sense of camaraderie there as they both work together to get through their mother’s troubling illness and the effect it has on their childhood.

This book certainly wasn’t what I expected it to be, after reading the blurb and looking at the cover. I anticipated this to be a chick-lit, perhaps a rural romance novel. And whilst there’s an element of romance in this book between Marjorie and one of the boys in her class, this book is about the relationship between Marjorie and her family, and about the events that lead to Elise’s many nervous breakdowns.

Wearing Paper Dresses is as much a character-driven novel as it is plot-driven. I was pleasantly surprised by this book, and found myself enchanted by the setting, the characters, and the plot. Whilst the book explores difficult themes such as mental illness and domestic abuse, you can’t help but fall in love with the characters.

“Marjorie stayed home from school after that and helped Elise. They dug and raked and swept. And Elise was alive and burning with energy. Their waking hours were consumed with garden making. They piled red dirt into neat garden beds all over the yard, Marjorie imaging all the while the rose garden to come.”

The setting is one of the strengths of the novel — Anne has perfectly captured the harsh, sunburnt landscape of the Mallee, and it’s easy to imagine just how difficult life would be like for Elise and her family. The setting feels incredibly isolating, but also claustrophobic at the same time, a juxtaposition that evokes great unease for most of the novel.

The writing is lyrical, funny and descriptive, the imagery drawing you in and holding you hostage with enticing vocabulary and prose. The pacing is on point — authentic and realistic to the storyline. Wearing Paper Dresses is an impressive debut.

Recommended for literary fiction readers, and those readers who love a rural setting. Fans of historical fiction will also find much to love about this book.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Wearing Paper Dresses
Anne Brinsden
October 2019
Pan Macmillan Publishers

The Institute by Stephen King

Deep in the woods of Maine, there is a dark state facility where kids, abducted from across the United States, are incarcerated. In the Institute they are subjected to a series of tests and procedures meant to combine their exceptional gifts – telepathy, telekinesis – for concentrated effect.

Luke Ellis is the latest recruit. He’s just a regular 12-year-old, except he’s not just smart, he’s super-smart. And he has another gift which the Institute wants to use…

But great events can turn on small hinges and Luke is about to team up with a new, even younger recruit, Avery Dixon, whose ability to read minds is off the scale. While the Institute may want to harness their powers for covert ends, the combined intelligence of Luke and Avery is beyond anything that even those who run the experiments – even the infamous Mrs Sigsby – suspect.

Far away in a small town in South Carolina, former cop Tim Jamieson has taken a job working for the local sheriff. He’s basically just walking the beat. But he’s about to take on the biggest case of his career.

Suspenseful and gutsy, The Institute is the latest horror novel from Stephen King, this time set within the walls of a facility tasked with testing children who show extraordinary abilities.

Hidden deep inside the American forest, more specifically in Maine, the organisation is responsible for kidnapping hundreds of children across the United States — shortly after killing their parents — and keeping them contained in the facility while they force them to undergo terrifying and sometimes painful tests.

The book begins with ex-cop Tim Jamieson, a loner who lost his job years earlier in an unfortunate incident. He arrives in DuPray, South Carolina and accepts a job working for the local Sheriff. Before too long, the POV shifts and we spend the bulk of the book following Luke Ellis’ story. He’s a twelve year old boy who is that latest kidnapping victim of the institute. Before too long, Luke and Tim’s stories will intersect.

“He ordinarily didn’t show off — it was the worst way in the world to win friends and influence people — but he was upset, confused, worried, and (might as well admit it) scared shitless. It was getting harder and harder not to label this experience with the word kidnapping.”

The Institute evokes ‘Stranger Things’ vibes and brings really incredible characters to life. All of the children at the facility are unique and three-dimensional, and the antagonists of the institute are all genuinely terrifying and believable as villains.

At its core, this book is about the power that children contain when they come together — when they combine forces and utilise their potential. This sounds like a preach, but Stephen King achieves this rather well, and the messages of the book are incredibly subtle.

“Gladys was small and pretty, but for all Luke knew, she was a black belt who could throw him over her shoulder if he gave her any trouble. Even if she wasn’t, they were watching, and he had no doubt reinforcements would show up in a hurry.”

Structurally, I think the novel is flawed. The pacing is appropriate and realistic for the first three quarters of the book, but then everything happens quickly and the conclusion of the book feels rushed.

Additionally, the book is so long that by the time you get to the conclusion you’re pretty exhausted and ready for it to finish.

“The ice machine. Where Maureen had spoken to him yesterday. That was sort of interesting. According to Kalisha, there were several places in Front Half where the audio surveillance worked poorly or not at all, but Maureen seemed to favour that one.”

Not overly violent, so suitable for young and old readers. Fans of horror and thriller will love this, as will Stephen King’s existing fans.

Recommended 14+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Institute
Stephen King
September 2019
Hachette Book Publishers

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