JESS JUST READS

A BOOK REVIEW BLOG

Big Lies in a Small Town by Diane Chamberlain

North Carolina, 2018: Morgan Christopher’s life has been derailed. Taking the fall for a crime she did not commit, she finds herself serving a three-year stint in the North Carolina Women’s Correctional Center. Her dream of a career in art is put on hold – until a mysterious visitor makes her an offer that will see her released immediately. Her assignment: restore an old post office mural in a sleepy southern town. Morgan knows nothing about art restoration, but desperate to leave prison, she accepts. What she finds under the layers of grime is a painting that tells the story of madness, violence, and a conspiracy of small town secrets.

North Carolina, 1940: Anna Dale, an artist from New Jersey, wins a national contest to paint a mural for the post office in Edenton, North Carolina. Alone in the world and desperate for work, she accepts. But what she doesn’t expect is to find herself immersed in a town where prejudices run deep, where people are hiding secrets behind closed doors, and where the price of being different might just end in murder.

What happened to Anna Dale? Are the clues hidden in the decrepit mural? Can Morgan overcome her own demons to discover what exists beneath the layers of lies?

Big Lies in a Small Town by Diane Chamberlain tracks two white artists living in a small town in North Carolina, 78 years apart. The storyline pivots around a mural that was commissioned for the small town, but was mysteriously never installed.

In 1940, 22-year-old artist Anna Dale wins an art contest and is chosen to paint a mural for the Edenton post office. She travels from New Jersey and lives in the town while completing the work.

In 2018, 22-year-old artist Morgan Christopher is serving time in prison for a DUI that resulted in a car accident. She’s offered parole if she moves to Edenton to restore the mural that Anna Dale abandoned decades earlier. A mysterious African American artist called Jesse Jameson Williams —who Morgan has never met and has no connection to — recently died and outlined strictly in his will that Morgan be the artist to restore the work.

“Anna arrived in Edenton for her planned three-day visit late on the afternoon of December 4. She could have taken the overnight train, but at the last minute she decided to drive. The ’32 navy blue Ford V8 still held her mother’s scent — the spicy patchouli fragrance of the Tabu perfume she’d loved — and Anna needed that comfort as she set out on this new, very adult venture.”

Strong themes present in the book are addiction and illness — Morgan is estranged from her parents, who are dysfunctional, judgemental alcoholics, and Anna’s mother just recently committed suicide after years of manic illnesses.

Racism is thinly explored in the book as well. Jesse Jameson Williams meets Anna Dale when he’s a teenager, and begins helping her paint the mural. Soon, people in Edenton assume the two are engaged in a relationship, which would’ve been illegal at that time. Someone paints racial slurs on the wall of Anna’s workshop space, and people threaten to harm Anna because of her connection to Jesse. Admittedly, the racism seems a little too light for what it would’ve actually been like at that time.

The artistry is incredibly evocative in the book. Both Anna and Morgan are talented and enthusiastic about their work and it’s evident how much artistic research has gone into the writing of this book. Everything about the mural, the town and its inhabitants is richly detailed and captured clearly.

“They talked about the people they knew who might be willing to model for the mural. Muss Myrtle thought the mayor’s wife was a good choice, but the idea made Anna cringe as she remembered Pauline’s comments about Mayor Sykes’ treatment of his wife. She felt as if she knew far more than she should about the poor woman and her life.”

The book is enjoyable and will have readers turning the pages, but it’s not flawless. The turning point in Anna Dale’s story (and what results from it) is predictable and expected, as is Morgan’s discovered connection to Jesse and Anna in the final chapter of the book.

Additionally, Jesse’s will stipulated that his daughter Lisa wouldn’t inherit her childhood home if Morgan missed her mural restoration deadline. This stipulation…doesn’t fit the rest of Jesse’s characterisation and is never really explained in the book. It felt like a lazy plot point.

An engaging read recommended for fans of women’s fiction and historical fiction.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Big Lies In A Small Town
Diane Chamberlain
January 2019
Pan Macmillan Publishers

Allegra in Three Parts by Suzanne Daniel

Eleven-year-old Allegra shuttles between her grandmothers who live next door to one another but couldn’t be more different. Matilde works all hours and instils discipline, duty and restraint. She insists that Allegra focus on her studies to become a doctor.

Meanwhile free-spirited Joy is full of colour, possibility and emotion, storing all her tears in little glass bottles. She is riding the second wave of the women’s movement in the company of her penny tortoise, Simone de Beauvoir, encouraging Ally to explore broad horizons and live her ‘true essence’.

And then there’s Rick who lives in a flat out the back and finds distraction in gambling and solace in surfing. He’s trying to be a good father to Al Pal, while grieving the woman who links them all but whose absence tears them apart.

Allegra is left to orbit these three worlds wishing they loved her a little less and liked each other a lot more. Until one day the unspoken tragedy that’s created this division explodes within the person they all cherish most.

Allegra in Three Parts by Suzanne Daniel is a debut coming-of-age story recommended for adult readers, exploring identity and adolescence and the rise of feminism and activism in the 1970s.

Allegra’s mother died when she was very young, so Allegra has been raised by her two grandmothers Matilde and Joy, and her father Rick. Allegra lives with Matilde but Joy lives next door and she and Allegra are very close. The two grandmothers, who were once close, no longer speak to each other because of some past disagreement that has been kept hidden from Allegra.

Predominantly character-driven, Allegra in Three Parts is equal parts entertaining as it is enriching. Suzanne has captured the era vividly, evoking nostalgic responses in readers. It was life before social media and smart phones, where many young children didn’t have televisions and their school teachers were nuns.

“I can split myself in two… something I have to do because of Joy and Matilde. They are my grandmothers and I love them both and they totally love me but they can’t stand each other.”

Allegra in Three Parts is an uplifting, moving novel full of heart and hope. It’s also playful and fun. 11-year-old Allegra’s innocence and curiosity is captured with tenderness and heart. She’s a fantastic protagonist, enticing the reader and keeping them interested until the final page.

I felt that the pacing was quite slow for what was a very minimal plot, but Allegra carries the story with her intrigue and her wonder for the world.

Set in Sydney, domestic violence is rife in Allegra’s neighbourhood. Her best friend Patricia has a violent father, and they’re not the only family looking to escape violence. Allegra in Three Parts features a large cast of strong, independent women who want to be in control of their decisions and their futures. As a result, many people in the neighbourhood — Allegra’s family included — come together to help victims of domestic violence.

“There on a hanger is a pale blue dress. It is the exact same colour — Oriental Blue — that I have loved ever since I first saw Kimberley’s complete set of seventy-two Derwent watercolour pencils when she displayed them, one by one, for show-and-tell in Second Class. It has a cream ruffle on each side of the bodice from the neck to the waist and cream piping around the cuffs.”

Capturing the voice of a tween is no easy feat, particularly when writing a book intended for adults. Sometimes, reading books from the voice of a young child can tire the reader (or perhaps annoy them, depending on the personality of the child), but Allegra is a fascinating character that all readers will enjoy meeting. She’s smart and confident, courageous and incredibly loving.

A few times in the novel I felt the girls in the story — particularly Allegra and Patricia — were a little too wise for their age, recognised in fleeting moments of dialogue between the children and the adults. Other than that, I found the characters incredibly authentic to the era, their ages and their experiences in life.

Recommended for readers of literary fiction, women’s fiction and historical fiction.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Allegra in Three Parts
Suzanne Daniel
June 2019
Pan Macmillan Publishers

A Madness of Sunshine by Nalini Singh

Welcome to Golden Cove, a remote town on the edge of the world where even the blinding brightness of the sun can’t mask the darkness that lies deep within a killer…

On the rugged West Coast of New Zealand, Golden Cove is more than just a town where people live. The adults are more than neighbours; the children, more than schoolmates.
That is until one fateful summer – and several vanished bodies – shatters the trust holding Golden Cove together. All that’s left are whispers behind closed doors, broken friendships, and a silent agreement not to look back. But they can’t run from the past forever.

Eight years later, a beautiful young woman disappears without a trace, and the residents of Golden Cove wonder if their home shelters something far more dangerous than an unforgiving landscape.

It’s not long before the dark past collides with the haunting present and deadly secrets come to light.

A Madness of Sunshine by Nalini Singh is a small town crime thriller novel, following the disappearance of local teenager Miriama Hinewai Tutaia in Golden Cove New Zealand, and its potential connection to the disappearance of three backpackers eight years earlier.

The main characters are police officer Will Gallagher, in charge of trying to find Miriama, and Anahera Spencer-Ashby, a young woman who grew up in Golden Cove and has recently returned after living in London for many years as a highly successful pianist and performer.

Will and Anahera are both complex and conflicted characters — Will was exiled to Golden Cove after a previous case went in an unexpected direction, and Anahera runs home to Golden Cove after her husband dies and his pregnant mistress turns up on her doorstep.

“But there were other possibilities and he’d be a bad cop if he ignored them. No one had ever called him that, not even when his mistakes had led to two deaths. Will’s police work had been stellar; it was his understanding of human nature that had let him down.”

Will and Anahera are both incredibly interesting and thoroughly developed characters. Both of them share wounded histories and are psychologically damaged from past events in their lives. Whilst they don’t know each other prior to Anahera returning to Golden Cove, the two bond over their circumstances and find comfort in each other’s company.

There is definitely this sense of isolation that comes with being in Golden Cove, like you’re all alone and nothing you do will penetrate the outside world. Anahera was able to leave because she’s musically gifted, but most people stay (as Anahera learns when she returns home). Many juicy secrets are harboured in Golden Cove. As a result, tension and suspense are heightened and the setting itself feels like another character.

“Another fifty meters and the sand disappeared under a flow of water that turned into a whirlpool surrounded by rocks as black as obsidian and as jagged as broken glass. Everyone knew to keep their distance from the spot — there was simply no hope for anyone who fell into that water.”

The pacing is slow but consistent, successfully building suspense and intrigue. There is more than one mystery plaguing this small town and everyone is a suspect. Will can determine multiple motives for wanting young, beautiful local Miriama missing — she held many secrets, and was fancied by just as many admirers.

Setting and environment are big strengths in this novel, and Nalini has captured the small, isolated town of Golden Cove incredibly well. The ‘small town’ vibe is rich with secrets and hidden pasts, and it will draw every reader in and keep them enticed until the final pages.

There’s a small romantic storyline that develops in the book, which is both welcome and expected with this genre. However, it’s not a dominant part of the book and if it were removed, the events in the novel would mostly remain unchanged.

“Two hours later, he’d gone through every single one of the names and ID photos and come up with nothing. If Fidel Cox had returned to the area, he’d done so in a way that wouldn’t be noticed.”

Admittedly, I wasn’t a fan of the ending. There were two major revelations at the climax of the book — one made sense and the other did not. The truth behind Miriama’s disappearance was not consistent with the characterisation set up prior and it seemed like a cheap ploy to surprise the reader. To be honest I felt a bit cheated at the end.

Enthralling, inviting and entertaining. Recommended for fans of crime, thrillers, and mystery novels.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Madness of Sunshine
Nalini Singh
December 2019
Hachette Publishers

The Clergyman’s Wife by Molly Greeley

In this Pride and Prejudice-inspired novel, not everyone has the luxury of waiting for love. Charlotte Collins knows this well . . .

Charlotte Collins, nee Lucas, is the respectable wife of Hunsford’s vicar, and sees to her duties by rote: keeping house, caring for their adorable daughter, visiting parishioners and patiently tolerating the lectures of her awkward husband and his condescending patroness, Lady Catherine de Bourgh.

Intelligent, pragmatic and anxious to escape the shame of spinsterhood, Charlotte chose this life: an inevitable one so socially acceptable that its quietness threatens to overwhelm her. Then she makes the acquaintance of Mr Travis, a local farmer and tenant of Lady Catherine.

In Mr Travis’ company, Charlotte feels appreciated, heard and seen. For the first time in her life Charlotte begins to understand emotional intimacy and its effect on the heart-and how breakable that heart can be. With her sensible nature confronted and her own future about to take a turn, Charlotte must now question the role of love and passion in a woman’s life, and whether they truly matter for a clergyman’s wife.

The Clergyman’s Wife by Molly Greeley is a debut fiction novel and retelling of Pride and Prejudice, shining the spotlight on Charlotte Lucas and what her life becomes after she chooses to marry Elizabeth’s cousin, Mr. Collins.

Though this work is entirely fictional, there are so many elements that ring true to the original work — the characters, relationships, atmosphere and setting. In Pride and Prejudice, Charlotte married Mr Collins not because she was in love with him (she hardly knew him) but because of security. She was almost thirty and had no other options for a companion. By marrying Mr Collins, she would stop being an embarrassment to her parents and could start her own life.

In The Clergyman’s Wife, Molly takes Charlotte beyond the pages of Pride and Prejudice and gives her a protagonist’s story. What if she does have the option of falling in love with someone but it’s too late?

“My skin prickles with mirth; I press my lips together to keep myself from laughing. Mr Travis meets my eyes and his lips tip up, just a little, at the corners; then he ducks his head and appears to focus entirely on the roses once more. I find myself gazing at the sun-browned back of his neck, the first knob of his spine just visible above his shirt collar, and have to force myself to look away.”

Charlotte Lucas is an incredibly intelligent character, but her life with Mr. Collins is — as readers expected — uninspiring and rather boring. Charlotte doesn’t have the sharp tongue or the brashness that her friend Elizabeth has, and she settles for what is comfortable. However, given that this book is set in the early nineteenth century, it’s entirely credible. She can’t afford to wait for true love.

When Charlotte meets Mr. Travis, she feels an instant connection. The two are alike in personality and Charlotte finds herself drawn to him. She starts to understand what emotional intimacy is and what it’s like to have someone else truly care about what you want in life. Mr Travis is kind and considerate and treats her with more respect that Mr Collins does. Charlotte finds herself wanting intimacy with Mr Travis, which is something she’s never experienced with her husband.

But, building a life with Mr Travis is something that no one in that time period would approve of. Charlotte struggles with what her head and her heart are telling her.

“When we reach the lane, I have to force myself to keep walking. Though there is no true impropriety, I suddenly feel that I cannot face William — or worse, Lady Catherine — seeing us walking together. But we reach the parsonage gate unobserved.”

Whilst the book is a little dry at times, the prose and dialogue are lyrical, poetic and true to the time period. The vocabulary and language is evocative and in tune with Pride and Prejudice, and so it’s not a stretch to think of The Clergyman’s Wife as a companion novel.

Recommended for fans of Pride and Prejudice, and other Jane Austen novels. Fans of romance and historical romance will also love this.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Clergyman’s Wife
Molly Greeley
December 2019
Allen and Unwin Book Publishers

The Toll by Neal Shusterman

The explosive conclusion to the New York Times bestselling Arc of a Scythe series.

It’s been three years since Rowan and Citra disappeared; since Scythe Goddard came into power; since the Thunderhead closed itself off to everyone but Greyson Tolliver.

In this pulse-pounding finale to Neal Shusterman’s internationally bestselling trilogy, constitutions are tested and old friends are brought back from the dead.

The Toll is the third and final book in Neal Shusterman’s YA fantasy series Arc of a Scythe. Events pick up three years after book two — Thunderhead — left off, where Rowan and Citra disappeared.

Brief recap: scythes are in charge of controlling the human population by killing, and the population relies on the all-knowing A.I of the Thunderhead.

The Toll builds on everything that we’d learnt in the first two books, but brings different elements to the story. Scythe Goddard is the villain of the story, rising to power in The Toll and killing humans for his own personal gain. A religious sect also comes into power, manipulating people for their own needs.

Overall, The Toll is a satisfying conclusion to the series. It ties in all of the threads that were introduced in the first two book, providing readers with a sense of closure regarding our main characters, Greyson, Rowan and Citra.

There are three parallel storylines predominantly running throughout the book — focusing on Greyson, Rowan and Citra, and Faraday — but they meet up towards the end where the characters reunite for the conclusion. Each chapter switches POV between different characters, keeping the reader intrigued in each of their journeys and how their story will intersect with the others.

“Salvage was a painstakingly slow process. It took three months of digging through the submerged debris until they found that outer vault.”

Once again, the characters in the book are incredibly authentic and relatable, drawing the reader in and making us sympathise for them and their plight.

In terms of character development, Greyson Tolliver grows the most over the course of the novel and his character does go into an unexpected direction. This won’t necessarily surprise viewers but adds further depth to the character. Additionally, Rowan and Citra grow and mature a lot over the course of the novel.

Other strengths of the novel include dialogue, particularly between Greyson and the AI, and the world building. Neal Shusterman captures an incredible system and organisation with this series, which feels really unique in the genre. Neal also captures a greater span of time in this book than in Scythe and Thunderhead, giving context to the world and its makeup and allowing the reader to understand more about the setting.

Special shout out goes to the revelation about the Luna colony and the Mars colony — what a fabulous twist!

“Loriana found that keeping busy was the best way to avoid panicking at their current situation, and, in a vacuum of leadership, most people were willing to take direction from her — something they probably never would have done in the comfort of the AI offices.”

There were parts of the book that were quite predictable, and there was also obvious signposting scattered throughout the novel. This might frustrate readers but ultimately, won’t deter them. Younger readers may not pick up on this, but adult readers probably will.

Additionally, the pacing was a little slow at times and could’ve been sped up. It’s a very long book, sitting at over 600 pages, and I do think it could’ve been trimmed a little.

Despite that, this is an enjoyable finale to the series and readers will be pleasantly surprised with where Neal has taken the story.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Toll: Arc of a Scythe #3
Neal Shusterman
November 2019
Walker Books Australia

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