JESS JUST READS

A BOOK REVIEW BLOG

The Confession by Jessie Burton

One winter’s afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering. When she overhears a conversation at a party that turns everything on its head, Elise makes an impulsive decision that will change her life forever.

Three decades later, Rose Simmons is seeking answers about her mother, who disappeared when she was a baby. Having learned that the last person to see her was Constance Holden, a reclusive novelist who withdrew from public life at the peak of her fame, Rose is drawn to the door of Connie’s imposing house in search of a confession …

The Confession by Jessie Burton is an intimate, moving novel about the power of women, and their relationship with each other. In a letter accompanying the book, Jessie acknowledges that the book is about the physical, psychological and spiritual autonomy of women —it explores love, sex, friendship, family and work, and how these things are vital to a woman’s self-esteem and sense of self. The Confession, in many ways, is an exploration of female identity.

The book follows a dual timeline, switching back and forth between 1980s, when Elise and Connie’s paths cross, to decades later in 2017, when Elise’s daughter Rose is on a desperate search to find her mother.

Elise is beautiful, young and naive — too trusting, but also desperate for love and connection. She meets the much older Constance Holden, who is bold and confident, sure of herself and charismatic. Constance is a writer whose novel is about to be turned into a Hollywood film, and when the two being a relationship, Elise follows Connie to Los Angeles.

“Elise closed her eyes and thought about how, at dinner parties, there are always other conversations not being shared. Matt and Shara and their unseen baby, lost like a ghost inside their marriage. Elise wondered whether there was any pain left in Shara’s body now, or whether it was just in her head, an occasional guest who led her down a staircase that only she could tread.”

Elise is easily overwhelmed once she moves to Los Angeles. Connie grows a bit distant and their relationship grows strained. Soon, Elise is finding comfort in someone else’s arms — someone she shouldn’t be pursuing.

In present day 2017, Rose wants to track down her missing mother. Elise abandoned Rose and her father when she was very little, and no one has heard from her since. Does Connie know? Rose creates an alias and takes a job as Connie’s assistant, working quickly to find out what happened to Elise all those years ago.

“Connie’s eyes were moist, her gnarled fingers resting on either arm of the chair as if it was a throne. She’d spoken so much, unpacking herself, and she looked exhausted. I watched as her face folded slowly into a picture of sadness. I wanted to go to her, to comfort her, to tell her that my mother was in this room, an old love, an invisible thread, trying together the ones she’d left behind.”

The three women are incredibly complex — we meet them all intimately over the course of the novel. We see them in private moments, when they’re scared or challenged. We witness their weakest moments and their strongest.

Characterisation is one of the strengths of the novel, taking us deep inside the minds and motivations of Elise, Connie and Rose. They’re all so unique and their voices so distinct — Jessie has done an exceptional job of capturing each of their personalities so vividly.

“An electric sense of my skin, my hands and feet. I did not feel triumphant. But I did, in an interesting way, feel more free. To be always waiting and wanting had been my most natural state to be. To be yearning for something, rather than having the guts to make it real.”

The Confession is a fabulous, luminous read, tackling friendship, women, motherhood, parenting and the complexities of relationships. Fans of literary fiction, women’s fiction, and the importance of strong, female-led stories will love this. I haven’t yet read Jessie Burton’s previous works but now I plan to go out and buy her books. Her writing is seamless and evocative — her sentences structure flawless.

Highly recommend.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Confession
Jessie Burton
October 2019
Pan Macmillan Publishers

Wolfe Island by Lucy Treloar

Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation…

Until one night her granddaughter blows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept herself to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as her name suggests…

Wolfe Island is the second literary novel from Australian author Lucy Treloar, set on an estuary that is slowly disappearing in the ocean.

Wolfe Island is part of the Chesapeake Bay estuary off the east coast of the US. The ocean is slowly swallowing it and over the years, one by one, the locals have fled the island for the mainland. But not Kitty Hawke — she’s now the sole survivor of that island, and she’s determined to stay there for as long as possible.

But when four young runaway kids — one of whom is her 16-year-old granddaughter Catalina Hawke — show up desperate to hide from their families, Kitty takes them under her wing. They stay in a vacant house on the island and over a period of many months, Kitty and the group bond.

“I went to the marsh walkway, a structure that ambled above the eastern salt marsh like a caterpillar in search of a leaf. It had a way of clearing my mind, which was muddled then by many worries: about the future, and about Claudie and what she knew, and whether I should tell Claudie about Cat, and what I suspected about her.”

In Wolfe Island, America is in the midst of a climate crisis. The coast of the country is being eaten away by the ocean and scores of people from the south are venturing to the north in seek of refuge. But this is not a safe world. They’re not welcome in the north, and anyone fleeing north — ‘runners’ — are hunted, captured and locked up.

Two of Catalina’s companions are runners seeking refuge.

“Not long after, we passed a farm prison where illegals and children, perhaps their own, all dressed in orange, were in trees picking fruit. It was the first I had seen of that sort of thing.”

A talented artist, Kitty is an interesting protagonist — reserved, independent, quiet, but also fierce and brash and determined. The writing is tight and almost flawless, the characters all just as interesting, diverse and integral as the next.

Her closest friend is her wolfdog, Girl, and her memories of their time together on the island. The book moves between past and present seamlessly and regularly, taking the reader on a journey through history so that by the end, we feel like we’ve been living on Wolfe Island for centuries.

The book is atmospheric and effortless, exploring themes of fragility, flight, survival, independence and adulthood. It’s about people who runs from their problems, and the people left behind.

“Summertime. When I wake early I can pretend things haven’t changed. I wait for this moment: first light arriving on the plain of Wife Island like a can of paint-wash water of clearest watermelon pink flung in an enormous delicate rush.”

It takes a bit of time to warm to this book — the writing feels sparse at the beginning, and the characters a little dry and distant. But over time, the book finds its rhythm and the horrors of the world scarily reflect our own and you find yourself drawn to the characters and their journey.

Recommended for fans of literary fiction, and character-driven stories. Recommended for regular readers.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Wolfe Island
Lucy Treloar
September 2019
Pan Macmillan Publishers

The Nickel Boys by Colson Whitehead

Elwood Curtis has taken the words of Dr Martin Luther King to heart: he is as good as anyone. Abandoned by his parents, brought up by his loving, strict and clearsighted grandmother, Elwood is about to enroll in the local black college. But given the time and the place, one innocent mistake is enough to destroy his future, and so Elwood arrives at The Nickel Academy, which claims to provide ‘physical, intellectual and moral training’ which will equip its inmates to become ‘honorable and honest men’.

In reality, the Nickel Academy is a chamber of horrors, where physical, emotional and sexual abuse is rife, where corrupt officials and tradesmen do a brisk trade in supplies intended for the school, and where any boy who resists is likely to disappear ‘out back’. Stunned to find himself in this vicious environment, Elwood tries to hold on to Dr King’s ringing assertion, ‘Throw us in jail, and we will still love you.’ But Elwood’s fellow inmate and new friend Turner thinks Elwood is naive and worse; the world is crooked, and the only way to survive is to emulate the cruelty and cynicism of their oppressors.

The tension between Elwood’s idealism and Turner’s skepticism leads to a decision which will have decades-long repercussions.

The Nickel Boys by Colson Whitehead is an extraordinary literary novel based on a real reform school in Florida during the Jim-Crow-era that operated for 111 years and destroyed the lives of thousands of children.

In the acknowledgements page, Colson Whitehead talks about the inspiration for this book — the Dozier School for Boys in Marianna, Florida. Archaeology students at the University of South Florida dug up an area surrounding the school and uncovered a secret graveyard. The students worked to identify the remains of countless students who had been tortured, raped, mutilated, and then buried beneath the ground.

In The Nickel Boys, the institution is called Nickel Academy, with two segregated establishments — one campus is for coloured boys, and the other is for white boys.

Protagonist Elwood Curtis was abandoned by his mother and left in the care of his loving, compassionate grandmother Harriet. He’s now in high school. He’s driven, intelligent, and he has his eyes set on graduating from the local community college. But one mistake — hitchhiking — lands him in Nickel Academy. The driver, Rodney, has stolen the car they’re riding in, and Elwood is considered guilty.

“There were three of them. The biggest one he’d seen last night, the boy who looked too old to attend Nickel. The giant was named Griff; in addition to his mature appearance, he was broad-chested and hunched like a big brown bear. Griff’s daddy, it was said, was on a chain gang in Alabama for murdering his mother, making his meanness a handed-down thing.”

Set in 1960s Florida, the book highlights segregation and the racism that was rife during that time. A black person could be arrested for not giving way to a white person on the sidewalk. Black people did things for free, and white people benefited.

Nickel Academy is technically not a prison, and boys usually don’t stay longer than 1-2 years in the place, but it is a nightmare, hellish place to live. When boys misbehave, they’re plucked from their beds in the middle of the night and taken to a former work shed called the White House.

Here, boys are strapped into a three-foot-long contraption called Black Beauty, and beaten. They’re whipped, stretched, and abused. The boys’ screams can be heard by everyone in Nickel Academy. Additionally, ‘out back’ is where the cruel and vicious staff take the boys who they plan to murder and bury beneath the ground.

“He spent another five days in the hospital, then it was back with the other Nickel boys. School and work. He was one of them now in many ways, including his embrace of silence. When his grandmother came to visit, he couldn’t tell her what he saw when Dr. Cooke removed the dressings and he walked the cold tile to bathroom.”

Whitehead is skilled at moving back and forth in time, seamlessly. We learn more about Elwood and his family as we progress through the novel. There are snippets here and there of his former life, his mother and father’s lives, and his childhood with his grandmother.

The prose is very elegant, lean and pared back — it’s a short book at 200 pages, and quick to read. The plot is riveting, drawing you in and refusing to let you go. I adore both Elwood and his best friend Turner, who are so different but find each other within the horrors of Nickel Academy.

Reading The Nickel Boys has encouraged me to purchase The Underground Railroad, which I had not gotten around to reading yet.

The Nickel Boys is one of my favourite reads of the year. As hard as the subject matter is to read at times, the writing is fantastic and eloquent, the characters larger-than-life. Highly recommended.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Nickel Boys
Colson Whitehead
July 2019
Hachette Book Publishers

Shepherd by Catherine Jinks

My father trained me to silence the way he trained his dogs, with food and a cane. Speech, he said, was poison. It scared the game, alerted the gamekeepers and betrayed your friends and family.

Tom Clay was a poacher back in Suffolk. He was twelve when he was caught, tried and transported to New South Wales.

Now, assigned to a shepherds’ hut out west, he is a boy among violent men. He keeps his counsel and watches over his sheep; he steers clear of blowhards like the new man, Rowdy Cavanagh. He is alert to danger, knowing he is a foreigner here: that the land resists his understanding.
The question is: how fast can he learn?

Because a vicious killer named Dan Carver is coming for Tom and Rowdy. And if Tom can’t outwit Carver in the bush – and convince Rowdy to keep his stupid mouth shut – their deaths will be swift and cruel.

Shepherd by Catherine Jinks is set in 1840 New South Wales, after the British colony convict 14-year-old Tom Clay of poaching and sentence him to work in Australia as a shepherd. The environment is brutal and violent, and Tom quickly learns how cruel and dangerous the other convicts can be.

Tom and Joe work at a shepherd’s hut west of Sydney — their role is to protect the master’s sheep from wild dogs. They have loyal dogs of their own to help with the task, called Gyp and Pedlar. Both men have come from England after being convicted of crimes. They’re also terrified of Dan Carver, who was working with them until recently. Prior to the events of the book, Tom and Joe had realised that Dan was a psychopathic murderer, and he was planning to kill the two of them. In self defence, they attacked him and left him to die in the wilderness.

But, Dan Carver isn’t dead, and he returns to the farm to seek vengeance on Tom, Joe, their new Irish shepherd Rowdy Cavanagh, and their beloved dogs. The group must fight for their lives to escape the vicious Dan Carver.

“My dreams are never good. In my poaching dreams, I’m always caught. In my dreams about Ma, she’s always on her deathbed. My father always beats me and my trial always ends on a hangman’s rope. Sometimes I dream that the ship bringing me to New South Wales founders and sinks. Sometimes I dream that I’m being flogged.”

Shepherd is about life in the Australian colonies — the dangers, the challenges, and difficulties of navigating the harsh Australian bush. Additionally, the book highlights the racism that these convicts exacted on Indigenous Australians.

The pacing of the novel is one of the biggest strengths, and in fact, the book takes place over only a few short days. We’re moving through the bush with Tom and Rowdy as they first try and evade Dan, and then decide to turn the tables and start formulating a plan to kill Dan.

Tom Clay has had a difficult childhood and upbringing, and doesn’t trust other people easily. He has huge affection for his dogs, and cares for them more than he cares for people. But, over the course of the novel, Tom and Rowdy bond and look out for each other. They even begin to trust in one another.

“Rowdy is so busy talking that he’s blind to where he is. This is a well-used path, heading straight for water, but he doesn’t comment on the musky smells, the droppings, the tracks, the feathers, the footprints, the marked tree trunks. When birds call and flit, he doesn’t pause to watch them in case they’re warning us of something bigger.”

At times, the nature of the plot got a bit tiresome. It’s a fast-paced pursuit in an unforgivable environment, and while this would look fantastic on a film screen, reading it in a book can get a little exhausting. It’s 200 pages of Tom Clay and Dan Carver up against each other, chasing and trapping and tricking and fighting. After a while, I felt like I was losing momentum in the story.

In saying that, I thought this novel was fantastic. The writing style is very lean — pared back. I didn’t feel like there was any overwriting, or excessive word choice. Catherine only wrote what was necessary for the story, and I was completely enthralled by the book. The dialogue is fabulous, the setting and atmosphere captured incredibly well, and the story really inviting for readers.

Recommended for adult readers who are interested in a short read set in the Australian wilderness of the 19th century. Readers must be interested in the Australian colonial setting to warm to this book, I suspect.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Shepherd
Catherine Jinks
July 2019
Text Publishing

A Lifetime of Impossible Days by Tabitha Bird

Meet Willa Waters, aged 8 . . . 33 . . . and 93.

On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does – and somehow creates an extraordinary time slip that allows her to visit her future selves.

On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .

On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.

Can the three Willas come together, to heal their past and save their future, before it’s too late?

A Lifetime of Impossible Days by Tabitha Bird is a novel about family, loss, love and grief — it’s about the decisions we regret, and the ones we are yet to make. The book is an exploration of the human experience and how — no matter how hard it is — its important to face your fears and your regrets in order to overcome them, so that you can learn to forgive yourself.

The book is written in first person, but it moves between three different time periods — we meet the same woman, Willa, when she is 8, 33 and 93. At 8 years old, Willa is energetic and playful and kind. But her and her sister Lottie are subjected to abuse from their violent father. Their mother, who is desperate for guidance, is not able to leave her husband. And so Willa and Lottie live with a monster, with no foreseeable way out.

This particular storyline is really heartbreaking. Willa’s father brings so much tension to the story — he’s manipulative and cruel, and he causes such heartbreak in the family. Willa’s mother is trying hard just to survive, that she’s not in a position to be able to protect her children.

“With my eyes closed, I listen to the house. No sounds from Mummy and Daddy. After their fight last night, we won’t be going to school today. Mummy will stay in bed and when the school rings she’ll say we are sick.”
WILLA, 8

At 33 years old, Willa is feeling lost. She’s struggling mentally. She’s tried to help her sister so many times in the past, but Lottie has gone too far down a dangerous and self-destructive past, and Willa doesn’t think there’s anything she can do to help anymore.

Willa has two kids she’s looking after, and whilst her husband Sam is supportive and understanding and helpful, Willa feels like she’s drifting away. Over the course of the novel, we witness as this particular Willa struggles more and more and her mental health deteriorates as a result of her unacknowledged trauma.

“As I lie on the green tiles of my childhood bathroom, I am sore with the return of memories and thoughts of my sister. Lottie is a place men have visited, feasted on her starving need for them, and left. She is in my veins; we are one and the same place.”
WILLA, 33

At 93 years old, Willa’s memory is a little hazy. She requires a lot of help from others, and she’s estranged from her son. And she can’t remember why no one will talk about her other son. What happened to him? Is there some way she can fix this before it’s too late?

Willa’s childhood was a traumatic one, and her ability to time travel helped her cope with what had happened in her life, but only for a short time. Even at 93, Willa must learn to acknowledge her trauma and her grief and confront it. She may just be able to change the course of her life if she can connect with what happened to her as a child.

“Something has woken me. I don’t know if I nodded off for a little snooze, but Katie isn’t here and I’m guessing she has already left for the evening. Who can know if you drop off for a little nap when you are at that stage of life where you regurgitate events and everyone simply wants you to get to the point?”
WILLA, 93

The characterisation in the book is really strong — each Willa feels incredibly authentic. The voices are different, the actions and the motivations are different, and the dialogue accurately reflects the age of that particular Willa. I think Tabitha did a fantastic job of writing the same character at three different stages in her life.

A Lifetime of Impossible Days is best described as magical realism, because the three Willas have the ability to step into a different time in their lives. They can visit each other. Their backyard forms some sort of portal that allows them to escape their own timeline and enter either the past or the present.

At times the story felt a bit confusing because the nature of the time travel was a little convoluted, and there were definitely a few moments where I felt disorientated with where the story was going. I do also think the book lost a bit of momentum in the middle, but then it picked up again in the final third.

Despite the size of the book, I found myself heavily invested in the characters and the storyline. I felt compelled to finish the novel and I found the ending incredibly satisfying. Recommend for fans of literary fiction, and especially those that love a little bit of magic in their stories.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Lifetime of Impossible Days
Tabitha Bird
June 2019
Penguin Random House Australia