JESS JUST READS

A BOOK REVIEW BLOG

The Heart Goes Last by Margaret Atwood

Living in their car, surviving on tips, Charmaine and Stan are in a desperate state. So, when they see an advertisement for Consilience, a ‘social experiment’ offering stable jobs and a home of their own, they sign up immediately. All they have to do in return for suburban paradise is give up their freedom every second month – swapping their home for a prison cell. At first, all is well. But then, unknown to each other, Stan and Charmaine develop passionate obsessions with their ‘Alternates,’ the couple that occupy their house when they are in prison. Soon the pressures of conformity, mistrust, guilt and sexual desire begin to take over.

I am a huge Margaret Atwood fan. I haven’t read all of her novels (who has? There’s about 40 of them. Who has that kind of spare time?) but this is the best one I’ve read so far. Yes, I enjoyed this more than The Handmaid’s Tale. More than Oryx and Crake. And more than last year’s release, Stone Mattress: Nine Tales.

Whilst I was reading The Heart Goes Last, I was trying to work out why I loved it so much. Were the characters any more three dimensional than in her other works? No. Was the plot development any more realistic than her other works? No. But there were a few things that I think set this book apart from the others.

Other than literary novels and young adult novels, I love campus novels (stories set within a university campus). That is, novels that are set within a secluded and enclosed environment. The characters seem trapped. The entire plot of the novel takes place at the same location, and it’s almost like the characters can’t escape their problems. It’s fantastic for a reader, and this kind of enclosed setting/environment is seen in The Heart Goes Last. The main characters, Charmaine and Stan, volunteer for a social experiment where they live within a gated community. The spend every second month working in the community, and every other month locked in prison.

Margaret Atwood does a fantastic job of creating characters that are flawed but realistic as well. They might be narrow minded, but they offer interspersed societal comments that reflect well on their current situation. They might be ignorant, but they’re ironically very aware of their own feelings and emotions and desires. In The Heart Goes Last, Charmaine and Stan aren’t the most likeable. Stan seems complacent and unassuming and well, a little boring. Charmaine is the real star of the book, but she at times seems naive and silly.

The novel is meant to be funny. The most absurd and bizarre things happen, including robots that people can have sex with. Prostitute Robots, I call them. And it makes the book seem like black comedy. Odd, utterly bizarre characters and odd, utterly bizarre happenings within this social experiment.

I love it because of that. I love it because Margaret Atwood never does what you think she’ll do. She never does what she’s done before, and she uses beautiful, lyrical prose to flesh out her characters, no matter how unlikeable they may be.

My Score: 9/10

The Bees by Laline Paull

Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. Yet Flora has talents that are not typical of her kin. And while mutant bees are usually instantly destroyed, Flora is reassigned to feed the newborns, before becoming a forager, collecting pollen on the wing. Then she finds her way into the Queen’s inner sanctum, where she discovers secrets both sublime and ominous. Enemies roam everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. But Flora cannot help but break the most sacred law of all, and her instinct to serve is overshadowed by a desire, as overwhelming as it is forbidden…

This book is very, very original. It is written from the point of view of a bee named Flora, and the book presents a dystopian and almost totalitarian society. Flora doesn’t seem to think too many things — she doesn’t dwell on her situation or her surroundings, and her actions are described more often than her thoughts are. And yet, she is so vivid to the reader. We come to understand who she is and what she wants and we come to understand her purpose in this novel. Laline has done a fantastic job of creating a fleshed out, three dimensional character within this dystopian (and extremely unique) environment.

For the first fifty pages, I almost felt like I was reading another language. There are specific terms for bees within each level of ‘society’ in their hive, and their life and their actions and their ‘work’ has been described with a specific terminology. It does take a bit of getting used to — the writing style is very descriptive. The author goes into great detail about Flora’s world and what she sees in that world.

Since this entire novel is written from the point of view of a bee, the reader has to adapt to what their threats are, and thus, what the ‘tension’ is in the book. Bees fear wasps and spiders and rain. Naturally, readers don’t find those as threatening, but we are forced to imagine the situation from Flora’s point of view.

Laline must have done a fair bit of research before writing this novel, because there are a lot to things to be learnt from the day-to-day life presented to us readers. Bees do dance to communicate, and the different ‘work’ that is performed in a hive is true to reality. However, I do think this novel would’ve been better had it of been shorter. It’s about 100-150 pages too long. By the end, I just wanted to finish it. I’ve read a lot of reviews where readers felt the story dragged on and it got monotonous and that The Bees would’ve been better as a novella or short story. I agree. I would’ve liked to have seen this cut down. But, it is fascinating and it is extremely well-written and it’s a great piece of literary fiction.

My Score: 7/10

The Children Act by Ian McEwan

Fiona Maye is a High Court judge in London presiding over cases in family court. She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child’s welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is expert in considering the sensitivities of culture and religion when handing down her verdicts.

But Fiona’s professional success belies domestic strife. Her husband, Jack, asks her to consider an open marriage and, after an argument, moves out of their house. His departure leaves her adrift, wondering whether it was not love she had lost so much as a modern form of respectability; whether it was not contempt and ostracism she really fears. She decides to throw herself into her work, especially a complex case involving a seventeen-year-old boy whose parents will not permit a lifesaving blood transfusion because it conflicts with their beliefs as Jehovah’s Witnesses. But Jack doesn’t leave her thoughts, and the pressure to resolve the case—as well as her crumbling marriage—tests Fiona in ways that will keep readers thoroughly enthralled until the last stunning page.

I really wanted to like this short novel because it’s written by Ian McEwan, but truthfully, I found it slow and dry.

The main character seems a little devoid of emotion, and maybe that’s the point (her husband wants her blessing to have an affair). But when she meets a child whose parents refuse a life-saving because of their religious beliefs, she still seems to have the personality of a stone.

The story weaves between the apparent breakdown of her marriage and the court case, and the most interesting and engaging part of the entire novel is the during the court case when she has to decide and justify her decision about forcing the boy to have a blood transfusion. Apart from that, the story just seems to plod along with short dialogue and a bit too much description.

The good thing about this novel is that it’s only 200 pages, so it’s easy to finish quite quickly. I’d recommend this novel to literary readers and McEwan fans. As for everybody else, keep in mind that this novel is good and it’s well written, but it’s not a page-turner – I could easily put it down for three days and pick it up again and not have it concern me. This book exists for the literary prose and the moral themes it unearths, not for the thrilling plot or interesting and relatable characters.

My Score: 5/10
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