JESS JUST READS

A BOOK REVIEW BLOG

A Marvellous Light by Freya Marske

Young baronet Robin Blyth thought he was taking up a minor governmental post. However, he’s actually been appointed parliamentary liaison to a secret magical society. If it weren’t for this administrative error, he’d never have discovered the incredible magic underlying his world.

Cursed by mysterious attackers and plagued by visions, Robin becomes determined to drag answers from his missing predecessor – but he’ll need the help of Edwin Courcey, his hostile magical-society counterpart. Unwillingly thrown together, Robin and Edwin will discover a plot that threatens every magician in the British Isles.

Freya Marske’s debut novel A Marvellous Light is both fantasy and queer romance, set in early 1900s Edwardian England. The confident — but slightly clueless — Robin Blyth finds himself thrust into the hidden world of magic and the victim of a curse he can’t control.

Readers will enjoy the premise of the novel, the integration of magical realism throughout the story, and the leading characters Robin and Edwin. Both these men are grappling with the situation before them — Robin, determined but ultimately in over his head, and Edwin, unfortunately plagued with meagre magic and constantly tormented by his siblings.

Notably, this is the first book in a planned series, and Freya does leave much to be answered. There is enough world-building in this as the first book, but still much to be explored in sequels.

“Robin’s second impression was that Lord Hawthorn had also been visited by disruptive thieves during the night, because the room into which they were led was a morass of belongings strewn over every surface.”

Family dynamics is a strong element in this story — how Robin and Edwin both interact with family amidst society. I can’t quite explain it, but this book feels suited to seasoned readers — those who know exactly what they’re looking for in a novel. Those who love genre fiction and romance, and unsuspecting characters thrust into an alternate world that they’re ill-prepared for. Personally, I found the opening of the novel quite slow and impenetrable, but admittedly it got better as it went on.

When Robin is attacked by thugs and finds himself cursed, he must work together with Edwin to end the curse and find the object these thugs are so desperate to uncover. Stylistically, Freya writes in third person but moves back and forth between Robin and Edwin’s POV. Freya’s writing is sharp and succinct — her description allows for emotional and depth, without being fluffy or over-the-top.

“Edwin settled himself back against the leather of the seat. It was real. The rattle of the window in its frame was real. Robert Blyth was not exactly imaginary — no, he was too solid, too broad-shouldered, his voice too loud and too warm: the voice of someone who’d never had cause to make himself smaller.”

Admittedly, I felt that the blend of magical realism and romance was not seamlessly executed. Moments of romantic tension seemed so far removed from the plot lines that the core mystery of the novel seemed forgotten. There’s a sequence of sex scenes in the middle of the novel that didn’t feel easily embedded — the rest of the novel centres entirely around the mystery element that I felt quite surprised to find sex scenes in the novel at all. Whilst they were sensual, and I’m sure they’ll be appreciated by some readers, I’m not sure they fit easily into this book where they are.

“Excitement crawled over Robin’s scalp. He didn’t think Courcey actually meant him any harm; the man was far too prickly. If he’d been trying for charm Robin might have been worried.”

Recommended for readers of fantasy romance, and perhaps magical realism. I wouldn’t recommend this book to reluctant readers. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Marvellous Light
Freya Marske
November 2021
Pan Macmillan Publishers

The Rabbits by Sophie Overett

Winner of the 2020 Penguin Literary Prize.

How do you make sense of the loss of those you love most?

Delia Rabbit has asked herself this question over and over again since the disappearance of her older sister, Bo. Crippled by grief, Delia and her mother became dysfunctional, parting ways not long after Delia turned eighteen.

Now an art teacher at a Queensland college, Delia has managed to build a new life for herself and to create a family of her own. Only more and more that life is slipping: her partner, Ed, has gone, her daughter, Olive, is distancing herself, and, all of a sudden, in the middle of a blinding heatwave, her sixteen-year-old son, Charlie, disappears too.

Suddenly what was buried feels close to the surface, and the Rabbits are faced not only with each other, but also with themselves.

Sophie Overett’s The Rabbits is a multigenerational literary novel interwoven with magical realism. At its core, The Rabbits explores family and loneliness, a loss of connection among loved ones, and reconnecting during times of heartache.

Set over a relative short time period, the story follows the Rabbit family — mother Delia, ex-partner Ed, and their three children Olive, Charlie and Benjamin. One day, Charlie disappears. For Delia, it brings back the painful memories of her childhood when her sister Bo died.

“They’re there within the hour, the blue and red lights flashing through the gap in the curtains, and Olive peers cautiously out her window as two police officers step out of the car…it’s not long before she hears the front door crack open and the police officers step inside, hears their quiet, considered words to Delia, and Delia’s harried response.”

Set in suburban Brisbane, Sophie captures the layers of contemporary family life in Queensland. It’s not just about the steamy, humid weather or school or trauma, it’s about the tense relationship between mother and daughter, the fractured relationship between mother and father, and how when Charlie goes missing, they all slowly come together to process this new family dynamic.

There’s a certain poignancy to this novel — a sensitive caress. This story is more character-driven than plot-driven, and Sophie uses magical realism to peel back the layers of the Rabbits so they can begin to heal. There’s beauty in the unknown here, and going into this novel with no knowledge of how the magical realism will be embedded proves an interesting read indeed. I loved finding out how the story was going to progress, and how elements of the magical were going to be interwoven. Whilst the elements of the unreal are never really explained or resolved, I don’t think they need to be. There’s beauty in what’s left unsaid.

“Her voice is weedy, wiry, like it’s distorted through a line somehow, and Olive can’t help it — the way it drips like petrol into the constant embers of her anger. Her chest suddenly aches, and she wishes she was somewhere else.”

Written in third person, the chapters alternate POV between the different members of the Rabbit family, and sometimes it was a little unclear at first whose story we were in. It could take a minute to determine the transfer of perspective, especially if the scene involved more than one Rabbit.

Other than that, Sophie’s writing is near faultless and the story grips you from the opening chapters. Her writing is seamless and the dialogue realistic. Tender moments between siblings and friends help carry the story forward, and I think this novel will attract a broad audience.

“Delia’s pencil makes quick work on the tracing paper, righting the slant, the scale, the shading that angles the lurching gum trees so strangely. It’s an easy practice. The shadow of an old habit, and out of the corner of her eye she can see the girl watching with wide eyes, her cheeks flushed, her throat quivering in embarrassment or admiration, Delia doesn’t really care to know.”

Captivating, rich and beautifully written, The Rabbits is recommended for literary readers. Readership skews female, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Rabbits
Sophie Overett
July 2021
Penguin Random House Publishers

The Emporium of Imagination by Tabitha Bird

Welcome to The Emporium of Imagination, a most unusual shop that travels the world offering vintage gifts to repair broken dreams and extraordinary phones to contact lost loved ones.

But, on arrival in the tiny township of Boonah, the store’s long-time custodian, Earlatidge Hubert Umbray, makes a shocking realisation. He is dying . . .

The clock is now ticking to find his replacement, because the people of Boonah are clearly in need of some restorative magic.

Like Enoch Rayne – a heartbroken ten-year-old boy mourning the loss of his father, while nurturing a guilty secret.

Like Ann Harlow, who has come to the town to be close to her dying grandmother. Though it’s Enoch’s father who dominates her thoughts – and regrets . . .

Even Earlatidge in his final days will experience the store as never before – and have the chance to face up to his own tragedy . . .

Enchanting and evocative, Tabitha Bird’s The Emporium of Imagination is a heartwarming story about confronting past mistakes, missed conversations, and lost loved ones. Set over a period of 21 days, we glimpse into a magical world of possibility, within the four walls of an impossible store.

Set in the rural town of Boonah, Queensland, we meet Earlatidge Hubert Umbray as he’s setting up the new Emporium store one evening. He’s the custodian of the magical shop, which among other wonderful things, allows visitors to receive phone calls from family and friends who are either deceased or astray. It allows visitors to confront and overcome long-held secrets and anxieties.

As we soon learn, Earlatidge’s time as custodian is almost over, and he must find someone new to take over his work.

“I want to scream that word all over the house. Yell it at the walls that are scuffed up because he let us play soccer in the hallway. Yell it in the backyard where we used to wrestle and where he rescued Nipper from the top of the water tank. Yell it in his empty bedroom…”

A sweet tale with a gorgeous cast of characters. We meet three boys grappling with the recent death of their father, and their exhausted grandmother who is desperately trying to raise these boys the best she can. We meet a woman who has recently lost a close friend and is about to lose her beloved grandmother, and we come to understand Earlatidge’s story and how — through great loss — he came to be custodian of the Emporium store.

Anyone who has lost someone, or lost touch with someone, will be able to relate to this story. It’s beautiful and moving, but it’s also quite heartbreaking. We meet characters when they’re at their lowest point — they’re in desperate need of some guidance and direction, some wise words. The store offers them that.

“The key. A cantankerous key. Over the years, it has appeared in ordinary places like pockets, under doormats, in letterboxes and inside his shoe. But it has also hidden in more unusual places like the bottom of a maple syrup bottle in Canada or inside a pint of Guinness. Until the key makes an appearance, Earlatidge is always careful not to gulp his drinks.”

The Emporium of Imagination is about grasping the life you have left, and pursuing what you really want. It’s about accepting the past is in the past and moving on, but acknowledging the importance and necessity of grieving. It’s about the comfort you can find in those around you. With a little magic and imagination, you’ll get the answers you seek.

This book is reminiscent of children’s fairytales — whimsical, hopeful and enchanting. It’s a novel that will wrap you up and engage you until you’ve read the final page. Tabitha’s writing is descriptive and full of beautiful prose and general wonderment.

“Earlatidge is right about the note. No matter what I do with the phone invitation, it keeps coming back like a determined stray animal. I find it in my jeans pocket, on my bedside table and under the blankets. It even blocks the water coming out of my tap as I’m trying to brush my teeth. Reluctantly, I keep it.”

An enduring tale alive with possibilities, The Emporium of Imagination is recommended for fans of magical realism, family saga and literary novels. Readership skews female, 30+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Emporium of Imagination
Tabitha Bird
April 2021
Penguin Random House Book Publishers

A Lifetime of Impossible Days by Tabitha Bird

Meet Willa Waters, aged 8 . . . 33 . . . and 93.

On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does – and somehow creates an extraordinary time slip that allows her to visit her future selves.

On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .

On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.

Can the three Willas come together, to heal their past and save their future, before it’s too late?

A Lifetime of Impossible Days by Tabitha Bird is a novel about family, loss, love and grief — it’s about the decisions we regret, and the ones we are yet to make. The book is an exploration of the human experience and how — no matter how hard it is — its important to face your fears and your regrets in order to overcome them, so that you can learn to forgive yourself.

The book is written in first person, but it moves between three different time periods — we meet the same woman, Willa, when she is 8, 33 and 93. At 8 years old, Willa is energetic and playful and kind. But her and her sister Lottie are subjected to abuse from their violent father. Their mother, who is desperate for guidance, is not able to leave her husband. And so Willa and Lottie live with a monster, with no foreseeable way out.

This particular storyline is really heartbreaking. Willa’s father brings so much tension to the story — he’s manipulative and cruel, and he causes such heartbreak in the family. Willa’s mother is trying hard just to survive, that she’s not in a position to be able to protect her children.

“With my eyes closed, I listen to the house. No sounds from Mummy and Daddy. After their fight last night, we won’t be going to school today. Mummy will stay in bed and when the school rings she’ll say we are sick.”
WILLA, 8

At 33 years old, Willa is feeling lost. She’s struggling mentally. She’s tried to help her sister so many times in the past, but Lottie has gone too far down a dangerous and self-destructive past, and Willa doesn’t think there’s anything she can do to help anymore.

Willa has two kids she’s looking after, and whilst her husband Sam is supportive and understanding and helpful, Willa feels like she’s drifting away. Over the course of the novel, we witness as this particular Willa struggles more and more and her mental health deteriorates as a result of her unacknowledged trauma.

“As I lie on the green tiles of my childhood bathroom, I am sore with the return of memories and thoughts of my sister. Lottie is a place men have visited, feasted on her starving need for them, and left. She is in my veins; we are one and the same place.”
WILLA, 33

At 93 years old, Willa’s memory is a little hazy. She requires a lot of help from others, and she’s estranged from her son. And she can’t remember why no one will talk about her other son. What happened to him? Is there some way she can fix this before it’s too late?

Willa’s childhood was a traumatic one, and her ability to time travel helped her cope with what had happened in her life, but only for a short time. Even at 93, Willa must learn to acknowledge her trauma and her grief and confront it. She may just be able to change the course of her life if she can connect with what happened to her as a child.

“Something has woken me. I don’t know if I nodded off for a little snooze, but Katie isn’t here and I’m guessing she has already left for the evening. Who can know if you drop off for a little nap when you are at that stage of life where you regurgitate events and everyone simply wants you to get to the point?”
WILLA, 93

The characterisation in the book is really strong — each Willa feels incredibly authentic. The voices are different, the actions and the motivations are different, and the dialogue accurately reflects the age of that particular Willa. I think Tabitha did a fantastic job of writing the same character at three different stages in her life.

A Lifetime of Impossible Days is best described as magical realism, because the three Willas have the ability to step into a different time in their lives. They can visit each other. Their backyard forms some sort of portal that allows them to escape their own timeline and enter either the past or the present.

At times the story felt a bit confusing because the nature of the time travel was a little convoluted, and there were definitely a few moments where I felt disorientated with where the story was going. I do also think the book lost a bit of momentum in the middle, but then it picked up again in the final third.

Despite the size of the book, I found myself heavily invested in the characters and the storyline. I felt compelled to finish the novel and I found the ending incredibly satisfying. Recommend for fans of literary fiction, and especially those that love a little bit of magic in their stories.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

A Lifetime of Impossible Days
Tabitha Bird
June 2019
Penguin Random House Australia