JESS JUST READS

A BOOK REVIEW BLOG

The Guilt Trip by Sandie Jones

They went away as friends
They came back as suspects . . .

Jack and Rachel. Noah and Paige. Will and Ali. Five friends who’ve known each other for years. And Ali, Will’s new fiancée.

To celebrate the forthcoming wedding, all three couples are having a weekend get-away together in Portugal. It’s a chance to relax and get to know Ali a little better perhaps. A newcomer to their group, she seems perfectly nice and Will seems happy after years of bad choices. But Ali is hiding more than one secret . . .

By the end of the weekend there’ll be one dead body and five people with guilty consciences wondering if they really know each other so well after all. Because one of them has to be the killer…

Sandie Jones’ The Guilt Trip is a domestic thriller set during a weekend get-away in a Portuguese villa for a friend’s glamorous wedding. There are three sets of couples and a long list of secrets between them. By the end of the weekend, someone will be dead and someone will be responsible.

This has to be my favourite Sandie Jones novel so far. The plotting is neater, the mystery more hidden, and the events unfold in a much more realistic manner. The premise is simple yet effective, and the tension between the characters will entice any fan of thrillers.

“The bed is unmade, the sheets tangled, and their pillows still show the indentations of their heads. She lets out a relieved sigh. What the hell was she thinking? How had she allowed a fleeting image, one that she can’t even be sure she saw, to infiltrate her mind and bring about insecurities she never even knew she had?”

Written in third person, the novel centres around protagonist Rachel. No one knows about her short fling with best friend Noah two decades earlier, and it’s important the secret stays a secret. But her husband is acting shady, and no one really likes Will’s fiancé. She’s fleeting and secretive, and far too young for him. But over time, the group will come to learn first impressions aren’t always accurate and it can be the people you least expect who hold the greatest secrets.

Hints are dropped sporadically and carefully, so you’re never really sure what’s going to happen until the drama has unfolded. Chapters end on cliffhangers, encouraging you to keep going. The Guilt Trip is a great holiday or aeroplane read – something to devour in a short amount of time.

“Twenty years have passed, and Noah has no doubt developed a whole heap of idiosyncrasies that she knows nothing about, and enjoyed experiences with Paige that she’ll never have a window onto, yet, for some reason, she stills feels she knows him better than anyone else.”

Despite loving this book, there were a couple of gripes I had. Firstly, it was really hard to keep track of all the characters, even when I was well into the book. I kept getting Noah and Jack mixed up. And when we find out that Jack and Rachel have a son called Josh, I started getting Jack and Josh mixed up. I got backstories confused, and relationships confused. I had to pause a lot to remember who was who before continuing. I’d say it was about the halfway mark before I felt more confident with the character names.

Secondly, people looking for a murder mystery should be warned that the death mentioned in the blurb actually doesn’t happen until the final chapters, so most of the book is about the relationships between these five adults. It is a bit ‘soap opera’ and so won’t be suitable for all readers, but I really enjoyed it.

Thirdly, I found the characterisation of Paige to be a little inconsistent. No spoilers, but once you get to the end and look back, I found her actions and dialogue to be a bit hard to swallow. Was she meant to be a red herring? I found her a little confusing.

“She shakes herself down as the unfamiliar, and wholly unwelcome, thoughts wrap themselves around her psyche. She tells herself that this is merely a knee-jerk reaction to seeing Noah unconscious on the beach today.”

Addictive and entertaining, The Guilt Trip is recommended for readers of domestic thrillers. Readership skews female, 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Guilt Trip
Sandie Jones
July 2021
Pan Macmillan Publishers

The Others by Mark Brandi

On his eleventh birthday, Jacob’s father gives him a diary. To write about things that happen. About what he and his father do on their farm. About the sheep, the crop, the fox and the dam. But Jacob knows some things should not be written down. Some things should not be remembered.

The only things he knows for sure are what his father has taught him. Sheltered, protected, isolated. But who is his father protecting him from? And how far will his father go to keep the world at bay?

All too soon, Jacob will learn that, sometimes, people do the most terrible things.

Firmly establishing himself as a master of crime and thriller, Mark Brandi’s latest novel The Others is another haunting tale.

Set on remote farmland and largely written in diary form, The Others follows an 11-year-old boy as he documents his day-to-day interactions with his overly protective but secretive father. Just who are the others he keeps talking about? And is Jacob actually in any real danger?

“So I have to stay home, and I have to stay in my room. It’s just in case the others come. I don’t mind staying home so much, because it gives me time to do my own things. Sometimes, I hear gunshots from somewhere in the bush. It must be a long way away, because it takes a long time for sound to travel.”

The Others reminds me a little of Room by Emma Donoghue. We only get snippets of the truth because we’re experiencing everything through the mind of an innocent child. Jacob looks to his father as protector, however his father is anything but.

As the reader, you know that Jacob is being fed lies and you witness him start to realise that his beloved parental figure might not be entirely truthful. It’s about following the story as the tension builds, pacing increases and you wonder how the tale is going to unfold.

Strengths lie in Jacob’s voice – he’s young and innocent, and quite naïve. But he’s not annoying or frustrating as a narrator. He is both insightful and present within his surroundings. His childlike voice offered a new perspective to Brandi’s novels, which haven’t yet delved into this kind of protagonist yet. It felt like something unique to his repertoire, and fans of his work will appreciate the pivot.

“He cooked it good this time. He always cooks the meat and I do the porridge. That’s the deal. He served it up and it was nicer, with the crispy bits, and the meat cooked right through.”

I did find that the book ended with a lot of unanswered questions, particularly around the women out hiking. The woman seemed to know Jacob’s father, so I’m not sure why he felt so threatened by her. And it perhaps felt a little unrealistic that the woman managed to find Jacob’s cabin so easily, when later in the novel we are told just how incredibly remote and difficult to discover it actually is?

And was Jacob’s mother actually sick? Jacob’s memory seemed to imply she was bedridden for a long time, but the revelation at the end seems to contradict that. Perhaps there was a bit of scope to reveal some of that information, particularly during those short sections where we’re with Jacob when he’s an adult.

Also, when is this novel set? It’s not necessary to know this, but talks of sickness and plague and illness made me think this was all fictional, but another reviewer interpreted this novel to be set post-COVID.

“The soft eyes are worse than when he gets angry. They hang around like the fog. Like the fog on the hill in winter. That’s what it’s like. But when he gets angry, even if the whites of his eyes scare me, it passes pretty quick.”

Overall a really entertaining novel and very quick to read – more pages than paragraphs, it felt. I ripped through this in one afternoon and really enjoyed it. The Others is engaging and atmospheric, and recommended for readers of crime, thriller and mystery. Readership skews 25+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Others
Mark Brandi
July 2021
Hachette Book Publishers

The Husbands by Chandler Baker

Welcome to the neighbourhood. We do things differently here.

Recently, Nora has started to feel that ‘having it all’ – a family, a soon-to-be new house, a successful career in law – comes with a price, one her husband doesn’t seem to be paying quite so heavily. She loves Hayden, but why is it that, however hard men work, their wives always seem to work that much harder?

Then her house-hunting takes them to an affluent suburban neighbourhood and Nora’s eyes are opened to a new world. One where women can have it all. One where the men actually pull their weight.

But a wrongful death case involving one of the local residents draws Nora further into this perfect world and she begins to realise that the secret of ‘having it all’ is far more complicated than she could ever have imagined. In fact, it may be worth killing for…

Feminist thriller The Husbands is Chandler Baker’s second novel, this time set in an affluent suburban community in Austin Texas, where the residents aren’t as they seem and protagonist Nora gets sucked into solving a strange house fire.

The Husbands is very reminiscent of Stepford Wives, where behaviour doesn’t quite have an explanation and each domestic relationship holds countless secrets. The Husbands imagines an environment where husbands pull their weight and responsibility is shared equally — an environment I’m sure many female readers wish existed.

“But he looked so sad. It was her fault — she’d been the one to go and marry an extrovert. And he’d really wanted to have one with Liv, only Nora had never gotten around to planning it. And anyway, he promised, promised, that they weren’t those kinds of parents.”

Strengths lie in the pacing and build-up of tension, drip-feeding clues to the reader and enticing us to keep flicking to the next chapter. The Husbands will please fans of thrillers and mysteries.

The characterisation of Nora will resonate with the reader, as Chandler does well to capture her frazzled, frustrated state of mind. She’s fed up and at the end of her tether, and Chandler captures moments of tension between Nora and her husband with relatable dialogue and scenes.

“Nora finds much of the explanation has flown over her head: Maybe she has one of those interrupted neural pathways. Science always makes her feel like a dimwit. But she makes an encouraging noise as they continue to walk and talk through the next corridor, where closed doors line either side.”

The premise of the novel isn’t anything new, nor is Nora’s character arc. A determined career woman trying to juggle a career and a family, with very little help from her dopey husband, feels like quite a common plot. But the mystery surrounding the Dynasty Ranch neighbourhood and the strange house fire that killed a man does add another layer to it that separates it from the rest of the genre.

I do wish the revelations at the end — in particular, the backstory provided by Cornelia — was less of an info dump. Cornelia’s truth would’ve been more interesting to discover had Nora stumbled upon some of it herself, instead of Cornelia just blurting it all out at the end of the book like a horror movie.

“Nora and Francine linger a moment longer, sizing one another up. Nora tries to sort through what her role here is, attempts to calculate which would be worse, to tell Cornelia and Asher or not to.”

Clever and twisty, The Husbands is recommended for readers of contemporary fiction and thriller — part murder mystery part domestic psychological thriller. Readership skews female, 30+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Husbands
Chandler Baker
July 2021
Hachette Book Publishers

Still by Matt Nable

Darwin, Summer, 1963.

The humidity sat heavy and thick over the town as Senior Constable Ned Potter looked down at a body that had been dragged from the shallow marshland. He didn’t need a coroner to tell him this was a bad death. He didn’t know then that this was only the first. Or that he was about to risk everything looking for answers.

Late one night, Charlotte Clark drove the long way home, thinking about how stuck she felt, a 23-year-old housewife, married to a cowboy who wasn’t who she thought he was. The days ahead felt suffocating, living in a town where she was supposed to keep herself nice and wait for her husband to get home from the pub. Charlotte stopped the car, stepped out to breathe in the night air and looked out over the water to the tangled mangroves. She never heard a sound before the hand was around her mouth.

Both Charlotte and Ned are about to learn that the world they live in is full of secrets and that it takes courage to fight for what is right. But there are people who will do anything to protect themselves and sometimes courage is not enough to keep you safe.

Set in 1963 Darwin, Matt Nable’s Still is a rural crime drama that explores corruption and violence within the police force, racism, and the murder and cover-up of a local Indigenous man.

Matt’s strength lies in the story’s setting and atmosphere — the dry, humid, sticky Northern Territory. The crocodile-infested marshlands. The temperature and the desolate landscape leap off the page, contributing to a visceral and compelling rural crime story for fans of The Dry and Scrublands.

“Ned Potter, a fishing rod resting loosely on his hip, looked north. The Timor Sear in front of him, bumpy and moving in all directions, was rebounding in torn crests off the weathered edges of the rock platform he stood on. His short sandy hair moved with the wind across the sharp part on the left side of his scalp.”

Stylistically, the novel is written in third person and switches POV between policeman Ned Potter, a law-abiding but alcohol-addicted policeman who refuses to pin a local murder on two innocent men, and the young Charlotte Clark, whose marriage to her husband is not what she was anticipating. She feels trapped in her own home, craving more than the constricting life with her flawed and cheating partner.

My favourite storyline was Charlotte Clark — her storyline and her chance encounter with a beaten man propels the story forward. Whilst Ned is an interesting character, and the corruption in the town is an interesting story to unravel, I don’t think Ned could’ve carried this novel. Charlotte expands the story and the plot, and female readers may find themselves able to relate to elements of Charlotte’s life.

“Before Charlotte turned around, she saw a gust of wind sweep over the swamp and spoil the black slate of still water. The moonlight bounced off the disturbance and she caught the glowing eyes of a crocodile just before they sank beneath the water.”

Because it’s quite clear who is responsible for the murder quite early on, and because this novel is more about uncovering police corruption, Still feels quite unique in the crime genre. We’re following these characters to find out if justice will be served — this isn’t a whodunnit kind of story. Whilst this novel won’t be everyone’s cup of tea, there is plenty with these pages to keep a reader turning.

A small flaw but I did find a lot of the dialogue very unrealistic, particularly between Ned and the other policemen, and also the Mayor. The dialogue felt quite over-the-top, caricature and not at all natural. I felt that some of the masterminds behind the corruption could’ve been a bit more clever in their conversations — a bit more intimidating and coy, choosing their words carefully. As a result, some of these secondary characters, particularly the villains, felt a little underdeveloped and like cardboard cut-outs. I think there was room for more depth there, particularly in how they communicate with others.

“Ned sat across from Senior Sergeant Riley in the waiting room outside Mayor Landry’s office. They didn’t speak. Ned didn’t even look at Riley but could feel his glare. And he could hear his tongue running across his gums, loosening the remains of what he’d just eaten.”

Descriptive and gripping, Still is recommended for fans of crime, thriller and mystery. Readership skews male, 18+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Still
Matt Nable
June 2021
Hachette Book Publishers

Crackenback by Lee Christine

Detective Sergeant Pierce Ryder of the Sydney Homicide Squad is on the hunt for notorious fugitive Gavin Hutton.

After months of dead-ends, the breakthrough Ryder has been hoping for leads him back to the New South Wales Snowy Mountains on the trail of the suspected killer.

Meanwhile, when an injured man bursts into the remote Thredbo lodge managed by Eva Bell, her first instinct is to protect her daughter, Poppy. The terrifying arrival of Jack Walker turns Eva’s world upside down as the consequences of Jack’s presence become clear.

With a killer on the loose, Jack Walker and Ryder are tangled in the same treacherous web – spun across the perilously beautiful Crackenback Range.

Suspense novelist Lee Christine returns with her latest novel set in the Snowy Mountains — Crackenback. Split between two storylines and written in third person POV, the hunt is on for an escaped murderer deep in icy terrain.

Half of the book focuses on Thredbo lodge manager Eva, whose life is upended when former lover Jack Walker turns up on her doorstep — injured, anxious, and forcing Eva and their daughter Poppy into hiding. Notorious killer Gavin Hutton is on the lease, and Eva and Poppy are his targets.

The other chapters in the book focus on Detective Sergeant Pierce Ryder, who is hunting Gavin. As the novel flicks back and forth between these two settings, events happen concurrently and Pierce and Eva’s lives inevitably collide as Gavin Hutton draws near.

“Eva squinted harder. What was it she could see down there? It was then she realised that it was a set of footprints, partially obscured by the fresh snowfall. They were leading from her front verandah to the trail to the Willy Wagtail. Or was it the other way round?”

Strengths lie in the police procedural aspect of the book, and Ryder’s collection of evidence. We follow Pierce as he interviews witnesses and close contacts, desperately trying to piece together Gavin’s whereabouts. It’s clear that great research has gone into this aspect of the novel to ensure authenticity.

Another strength is characterisation — Christine crafts characters we grow to love. We sympathise when they struggle, and we keep reading to find out how their stories will end. Quieter moments in the book allow for the characters to face unresolved conflict, adding a layer of depth to the book.

Once again, we finds ourselves deep within an icy, cold setting. It’s the perfect read to accompany a glass of red wine. I could feel the biting temperatures and I could picture the blocked, snowy doorways. I could sense the danger lurking beyond the dark, misty outdoors.

“Eva locked the door with a violent shiver. When guests were staying, she would leave it unlocked twenty-four-seven so they had unlimited access to the mountain bikes, skis and snowboards stowed in the equipment room next to the laundry.”

The only aspect of the novel that I didn’t love was the slow pace of the Eva/Jack storyline. He bursts into her home and their setting doesn’t change much for majority of the novel. It’s really just them hiding out, and whilst it was interesting at first, I did find myself getting a little impatient — perhaps a little bored. Even Poppy doesn’t really provide much of an obstacle for their safety, and sometimes I forgot she was even in the house.

I felt like the author was trying to establish more of a romance than a thriller in this setting, and I think there was definitely capacity for both. I would’ve liked it if Gavin reared his ugly head a little earlier on the novel, pushed them out of their hiding place sooner.

“In the lobby, she watched as Jack dug in his pocket for the key and unlocked the drawer. Poppy had gone from spinning the bear in circles to wheeling the chair around the lobby like a pram. How was it that their lives had changed so much in an instant? One minute, she’d been looking forward to the snow season and happily chatting to Bede about his son’s wedding, and the next…”

High stakes and a cracking mystery right until the end, Crackenback is recommended for fans of crime and thriller, but only if you’re also interested in romance. If romance isn’t for you, then this isn’t the series for you. Fans of Christine’s previous novel, Charlotte’s Pass, will be excited to see the return of a few familiar characters.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Crackenback
Lee Christine
February 2021
Allen & Unwin Book Publishers