JESS JUST READS

A BOOK REVIEW BLOG

The Other Side of Night by Adam Hamdy

David Asha wants to tell you a story about three people: Elliott Asha, his son, broken by a loss that will redeem him.

Ben Elmys, a surrogate father and David’s trusted friend, a man who might also be a murderer. Harriet Kealty, a retired detective searching for answers to three mysterious deaths, while also investigating a man who might turn out to be the love of her life.

Every word David tells you is true, but you will think it fiction . . .

Adam Hamdy’s thriller The Other Side of Night is a genre-defying novel about how far a person might be willing to go to spend more time with the ones they’ve lost. Exploring love, loss, family and expectation, The Other Side of the Night tests the limits of the space-time continuum to present a reality far from our own.

Incorporating a range of mediums such as articles, columns, court reports, interview transcripts and letters, alongside standard prose and dialogue, Adam offers a complex yet rewarding tale of family, relationships, grief and time.

“Harri hadn’t been able to concentrate after finding the message. She hadn’t been able to sleep much either. The words could have been a cruel prank, but something about them touched her finely honed instincts as a detective.”

The Other Side of the Night is largely centred around dishonoured police detective Harriet Kealty, who conducts her own private investigation into the deaths of physicists Elizabeth and David Asha, and the man who adopts their orphaned 10-year-old son.

Harriet suspects Ben Elmys, who Harriet once dated briefly, could be responsible for the deaths of Elizabeth and David, and over the course of the novel she stumbles upon unexplainable events that indicate some kind of other-worldy, science fiction element to the story.

Adam’s writing is accessible and highly readable – despite quite an intricate plot and quite a complex ending, at its heart, this book is a character exploration. We’re invested in the Asha family and their young son, and we’re also rooting for Harriet as she attempts to salvage her career and prove that there’s more to the Asha deaths than previously known.

“She would never forget how she’d felt that day and even the memory of what had followed couldn’t entirely tarnish the joy of their first encounter. She hoped she’d feel that way again, but right now there was no sign of romance on the horizon, and she wasn’t sure she wanted it after running into Ben.”

The Other Side of the Night is described as a thriller, but it’s also science fiction and perhaps dystopian fiction, alongside a police procedural, poetry, court report and high-tension, suspense mystery.

With quite a small cast of characters, the novel feels deliberately claustrophobic. We’re swept up into a rather emotional story that bounces between the same core characters, amidst quite a limited setting as well, allowing the reader to maintain focus on the story and its movements.

“After he was gone, Harri stood in the little flat for a moment, listening to the distant sounds of the city, where thousands of lives far more productive than hers were being played out.”

A unique and impressive mind-bending science fiction read, Adam Hamdy’s The Other Side of Night is for readers of thriller and genre-bending novels. Readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

The Other Side of Night
Adam Hamdy
September 2022
Pan Macmillan Publishers

Paper Cage by Tom Baragwanath

Masterton isn’t a big town. The community’s tight, if not always harmonious. So when a child goes missing it’s a big deal for everyone. And when a second kid disappears, the whole town’s holding their own children that little bit tighter.

Lorraine doesn’t have kids, but she has a nephew. She’s holding him a bit tighter, too, because she works for the police, and she knows they don’t have any idea.

Lo’s not a cop, she’s a records clerk. She sits out back among the piles of paper, making connections, remembering things. Working things out that the actual cops don’t want to hear about.

Until the new investigator, Hayes, arrives from Wellington, and realises Lo’s the only person there with answers to any of his questions. Which is just as well—because the clock is running down for the children of the town.

Set in a secluded New Zealand community, Tom Baragwanath’s Paper Cage is a suspenseful crime thriller about a string of disappearances, with police department records clerk Lorraine taking centre stage.

After a couple of children go missing in a small, close-knit New Zealand town, Lorraine takes the case under her wing. Her colleagues seem incompetent and unable to connect the clues, and so when someone in Lorraine’s family is abducted, she takes matters into her own hands – using her intelligence and determination to crack the mystery.

“He sets a hand to my arm; his expression is like light through murky water. He’s close enough for me to see my reflection in his eyes: a round grey woman held in miniature.”

Lorraine is a rather unexpected protagonist in a small-town crime story. Usually, it’s the troubled detective driving the story – often male – and it was refreshing to read a different perspective in this genre. Lorraine rises above what others expect of her, ignoring the distrust and the snide remarks and focusing on the case. As such, there is a definite feminist undertone to the novel.

From NZ-born writer Tom – now living in Paris – Paper Cage is a slow-burn thriller, presenting quite a large but three-dimensional set of characters that orbit around Lorraine. The second half of the novel is much more fast-paced, when Lorraine starts to become more involved in the case and lead us toward the culprit.

“I climb to my feet and head into the hall, feeling their eyes follow me. Truth be told, it’s a relief to get out of that room, even if it means a long morning scouring through the files.”

While on the surface this is a mystery about the disappearance of a few children in a close-knit New Zealand community, at its core Paper Cage explores racism, violence, drugs and alcohol abuse in small suburban towns.

This is quite an expansive list of themes to underpin a crime novel and as such, the plot does deviate quite a bit in the middle of the book and the story became a little convoluted and difficult to engage with. The disappearances of the children felt a little on the backburner while Lorraine’s attention is distracted by Sheena (her niece) and Keith (Sheena’s partner).

“A flicker of hesitation shoots across the detective’s face. We come in through the back, into the anonymous crackle of radio from the communications room. Hayes unlocks the interview room, and I do what I can to make Sheena comfortable.”

With descriptive, vivid writing and recommended for crime and thriller readers, Paper Cage’s readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Paper Cage
Tom Baragwanath
September 2022
Text Publishing

Daisy Darker by Alice Feeney

Daisy Darker’s family were as dark as dark can be, when one of them died all of them lied and pretended not to see . . .

Daisy Darker is arriving at her grandmother’s house for her eightieth birthday. It is Halloween, and Seaglass – the crumbling Cornish house perched upon its own tiny private island – is at one with the granite rocks it sits on.

The Darker family haven’t all been in the same place for over a decade, and when the tide comes in they’ll be cut off from the rest of the world for eight hours. When the tide goes back out, nothing will ever be the same again, because one of them is a killer . . .

In Alice Feeney’s psychological thriller Daisy Darker, a fractured family congregate on a secluded and isolated island to celebrate their grandmother’s 80th birthday. But with no way to escape the island and no way to communicate with the outside world, it’s the perfect conditions for a killer to strike.

One by one, members of the Darker family are murdered in incredibly personal and specific ways. With nine hours to go until low tide and the possibility of escape, who will still be alive come morning?

“She looks over her shoulder, then creeps nearer to the crib. We all seem to lean closer to the TV, as little Rose leans down over the baby, before checking over her shoulder one last time. We hang off her every word as she sings a sweet-sounding lullaby.”

Alice has set up the classic elements of an engaging psychological thriller – a secluded setting with no way to communicate with external parties, a series of murders, and a group of characters known to each other and all harbouring horrific secrets. It’s the perfect concoction for a page-turning mystery.

Whilst at times I found the dialogue to be unrealistic and over-the-top, and pretty much all of the characters to be wildly unlikeable, the strengths of the story lie in its twists and mysteries. There seems to be very little emotions in how Daisy Darker reacts to her family members’ murders, but she functions more as a narrator from afar, allowing us the chance to understand all members of the party so we can make our own opinions on who might be the killer.

Admittedly, I wish the characters possessed more agency to uncover the killer. They seem a bit slow to catch on in the beginning, happy to watch videos and wait for things to happen rather than harnessing some agency and driving the story forward themselves.

“He leaves the lounge and none of us know what to say. My father has always held his feelings hostage. His inability – or unwillingness – to express himself seemed to make my mother voice her own feelings on any subject twice as loud and twice as often.”

The ending makes up for any flaws the precede it. Because truthfully, the suspense and tension in the lead-up to the twist were starting to wane. Flashbacks break the pacing and lull the flow of the book. For a long time, I couldn’t make sense of the wacky storyline, odd murders and the seemingly non-existent motive. I was struggling to tell some of the characters apart, found the flashback videos to be a bit redundant and the poetry a little pointless.

But that twist is a redeeming element to the story and was an actual gasp-aloud moment for me as the reader. Suddenly, a motive is clear and so are Alice’s stylistic devices and plotting choices.

“My father is the first to arrive. Being punctual is his only way of saying I love you. For as long as I can remember he has expressed emotions through timekeeping, unable to demonstrate affection in the ways most other fathers do.”

Utterly compelling with a cracker of an ending, Daisy Darker is recommended for fans of psychological thrillers and murder mysteries. Readership skews 20+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Daisy Darker
Alice Feeney
September 2022
Pan Macmillan Publishers

Stone Town by Margaret Hickey

With its gold-rush history long in the past, Stone Town has seen better days. And it’s now in the headlines for all the wrong reasons . . .

When three teenagers stumble upon a body in dense bushland one rainy Friday night, Senior Sergeant Mark Ariti’s hopes for a quiet posting in his old home town are shattered. The victim is Aidan Sleeth, a property developer, whose controversial plan to buy up local land means few are surprised he ended up dead.

However, his gruesome murder is overshadowed by a mystery consuming the entire nation: the disappearance of Detective Sergeant Natalie Whitsed.

Natalie had been investigating the celebrity wife of crime boss Tony ‘The Hook’ Scopelliti when she vanished. What did she uncover? Has it cost her her life? And why are the two Homicide detectives, sent from the city to run the Sleeth case, so obsessed with Natalie’s fate?

Following a late-night call from his former boss, Mark is sure of one thing: he’s now in the middle of a deadly game . . .

Margaret Hickey’s latest rural crime offering Stone Town reintroduces us to Senior Sergeant Mark Ariti, investigating the apparent murder of local property developer Aidan Sleeth in the secluded Stone Town, and the simultaneous kidnapping of Detective Sergeant Natalie Whitsed. It isn’t until Natalie’s car is located near Aidan’s residence that Mark starts to suspect the two crimes may be connected.

Once again, Margaret brings us an intriguing rural crime drama, navigating two crimes simultaneously and with ease. Interspersed throughout the book are italicised chapters written from Natalie’s perspective, designed to make sure that plotline doesn’t get lost amid the search for Aidan’s killer.

“Luke told them the story in a sad drawl: how he’d known Aidan from when he moved to Booralama from Warrnambool in Victoria two years ago. Followed a girl, she broke up with him, went off with some Fitter and Turner from Nhill. He got a job at Aidan’s real estate office in town, started playing footy for the seconds, liked the town, liked the job, liked Aidan well enough. Stayed.”

Mark’s past definitely had more real estate in Cutters End, but there isn’t as much of a need for his backstory in this one. With one murder victim and one missing police officer, there is enough material to fill the chapters and keep the reader turning the pages.

Stone Town manages the delicate balance between prose and dialogue – the dialogue is realistic, believable and authentic, and the prose quite descriptive and generous, particularly during chapter openings.

Themes explored in the book include family, community and service. There is quite clever foreshadowing in the opening couple of chapters, and the suspect pool is large enough to keep the reader guessing – I certainly didn’t correctly guess Aidan’s murderer.

“He didn’t run on Sundays. That was the weekly treat he granted himself, but still, he wished he could sleep in a little longer. The day would be stormy. Already, he could see the dark clouds gathering across the grey sky, wind whipping the tops of the gums in his yard. More rain was predicted. Flood warnings in place.”

This is another novel from Hickey with a strong small-town noir setting – Stone Town used to be an old gold mining town, which plays a role in the disappearance of Natalie Whitsed. Hickey writes setting with ease, capturing the vast, open landscape and that helpless feeling that a missing person could stay lost forever.

My only small gripe with the book was that some of the dialogue towards the end of the book – in the scenes where Mark confronted the perpetrator – felt a little caricature and over-the-top. Straight out of a movie scene and so on the page it didn’t quite feel natural.

“In the background, Mark could see that John had risen from his weed killing and was poking at something in the corner of the garden bed with his shoe. A tiny round thing was squirming in the dirt.”

Taut, gritty and pacey, Margaret Hickey’s Stone Town is recommended for readers of crime, mystery and thriller. Like most of the titles in this genre, you don’t need to read previous stories with this detective just to understand the present one. Readership skews 30+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Stone Town
Margaret Hickey
July 2022
Penguin Random House Publishers

Lying Beside You by Michael Robotham

Twenty years ago, Cyrus Haven’s family was murdered. Only he and his brother survived. Cyrus because he hid. Elias because he was the killer.

Now Elias is being released from a secure psychiatric hospital and Cyrus, a forensic psychologist, must decide if he can forgive the man who destroyed his childhood.

As he prepares for the homecoming, Cyrus is called to a crime scene in Nottingham. A man is dead and his daughter, Maya, is missing. Then a second woman is abducted . . . The only witness is Evie Cormac, a troubled teenager with an incredible gift: she can tell when you are lying.

Both missing women have dark secrets that Cyrus must unravel to find them – and he and Evie know better than anybody how the past can come back to haunt you . . .

The next psychological thriller from Michael Robotham, Lying Beside You centres around two missing woman, an attack on a third woman years earlier, and the secret that binds all three victims together.

Regular readers of Michael Robotham will recognise forensic psychologist Cyrus Haven from two of his earlier works – in this latest iteration, Cyrus’ brother is being released from psychiatric hospital and the troubled young adult living with him is the only witness to the abduction of a drunk woman outside of a bar. Over the course of the novel, the case of two missing women will intersect with a seemingly ‘solved’ crime from years earlier.

“I hate arguing with Cyrus. I hate that he’s older than me and that he thinks he knows everything. I hate how he picks me up on my grammar and my vocabulary, like when I say literally when I mean figuratively (whatever the fuck that means). I hate how he laughs at me, but not in a cruel way.”

Whilst this is the third appearance of Cyrus Haven, readers need not have read the first two books to follow this plot. Written in first person and moving between Cyrus and Evie’s perspectives, Robotham’s writing is stripped and almost methodical – no unnecessary prose or dialogue, only containing the elements needed to keep the reader turning the page.

Lying Beside You explores the complex relationship between Cyrus and his brother Elias – Cyrus’ line of work means that he is able to separate Elias from what he did all those years earlier, but that doesn’t mean he can necessarily forgive him, or feel uneasy leaving him alone.

Crime and thriller readers will be pleased with this offering – the pacing quickens, there are multiple mysteries to maintain a reader’s attention, and Robotham weaves them together seamlessly with an explosive conclusion.

“As I walk to my car in the hospital parking area, the air seems saturated with oxygen, making the colours brighter and my senses sharper. I lean back in the driver’s seat of my Fiat and feel my heart beating in my chest. Elias is being allowed out on day release. He expects to come home. The next step will be overnight stays.”

Admittedly, it did feel like there were two separate elements to this plot that didn’t necessarily gel with each other – the central mystery surrounding the two women, and the release of Cyrus’ brother.

The latter storyline felt a bit underdeveloped and quite lost within the overarching story. Elias is on the periphery of the story, not making enough of an impact to give the reader a lasting impression. I kept waiting for something to happen, but nothing in the plot really eventuated and so I’m wondering if this is merely setting something in motion for the next book that features Cyrus Haven?

“Half an hour later, I hear the door open and keys hitting the side table. Boots are kicked off. Mail is checked. An envelope is torn open. Cyrus appears in the kitchen. He looks at the bench, which is covered in flour, caster sugar and cocoa powder.”

Pacey, engaging and original, Lying Beside You is recommended for readers of crime, thriller and mystery. A great present for Father’s Day, readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Lying Beside You
Michael Robotham
July 2022
Hachette Book Publishers Australia