JESS JUST READS

A BOOK REVIEW BLOG

Joan by Katherine J. Chen

Girl. Warrior. Heretic. Saint?

France is mired in a losing war against England. Its people are starving. Its king is in hiding. Yet out of the chaos, an unlikely heroine emerges.

Reckless, steel-willed and brilliant, Joan has survived a childhood steeped in both joy and violence to claim an extraordinary – and fragile – position at the head of the French army. The battlefield and the royal court are full of dangers and Joan finds herself under suspicion from all sides – as well as under threat from her own ambition.

Katherine J. Chen’s Joan is a feminist reimagining of the life of Joan of Arc – a celebration of her remarkable journey through the ranks, leading France to several victories against the English.

Much is already known about Joan of Arc, subjected to visions of saints from age 13 but then burned at the stake at the age of 19 under scrutiny of being a heretic. In Katherine J. Chen’s version, Joan is less motivated by visions and more motivated by personal loss – one day when the English invade their town, Joan’s sister Catherine is savagely attacked and ends up committing suicide. Joan feels motivated in her quest for revenge on the men who brutalised her sister, and now, without her sister alive, she no longer feels she must stay in her hometown and continue to accept the beatings given to her by her demonising father.

“The circle turns. And the wheel spins back, three days after the fair, to the fists of Jacques d’Arc. This time, Joan is limping not in the direction of Hauviette’s cottage but toward the Bois Chenu. She cannot always seek sanctuary in the same places, and tonight she thinks her father’s mood is foul enough to pursue her.”

Chen uses Joan’s physicality as a way of crafting the character and differentiating her book from retellings that precede it. Joan, hated by her father and regularly beaten, grows to be an alarmingly large teenager who can fight back. She can break a man’s bones with just one hand.

We also come to see her as the skilled, intuitive fighter worthy of a following – she can best archers and sword fighters who have been training their whole lives. In Chen’s version, it’s less about Joan’s sense of religion and her miraculous calling from the saints, and more a portrayal of a woman who earns and maintains attention – someone who works hard and learns fast.

“It was an instant of extraordinary beauty. When he recalls the memory, he can’t help smiling. The leap, so perfect, into his arms, and he, seeing her pursuer, did not stop, had no intention of stopping, and looked as if he might thrash him, too, turned his back to Jacques and sprinted away.”

This retelling does seem to focus so heavily on Joan’s actions and her movements that we seem to lose a sense of her as a human being – I just never felt that I got a glimpse at who this Joan was as a person. Perhaps more inner monologue was required to achieve this, as most of the book seems centred around action and dialogue. I was just craving more of Joan’s voice so she didn’t appear to be one-dimensional.

“The moment panic makes her throat close is the moment she becomes aware of smoke and the smell of incense. A crowd is gathering, and a procession of monks heading her way. Joan sees a large wooden cross, wobbling slightly on the shoulder of its stooped bearer.”

Presenting a portrait much more relatable to the modern reader, Joan is recommended for readers of historical sagas and retellings – fans of Jennifer Saint will be a fitting audience for this one. Fans of Game of Thrones might feel that this Joan of Arc seems to bear resemblance to Brienne of Tarth. Readership skews female, 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Joan
Katherine J. Chen
July 2022
Hachette Book Publishers

Truly Darkly Deeply by Victoria Selman

Twelve-year-old Sophie and her mother, Amelia-Rose, move to London from Massachusetts where they meet the charismatic Matty Melgren, who quickly becomes an intrinsic part of their lives. But as the relationship between the two adults fractures, a serial killer begins targeting young women with a striking resemblance to Amelia-Rose.

When Matty is eventually sent down for multiple murder, questions remain as to his guilt — questions which ultimately destroy both women. Nearly twenty years later, Sophie receives a letter from Battlemouth Prison informing her Matty is dying and wants to meet. It looks like Sophie might finally get the answers she craves. But will the truth set her free — or bury her deeper?

Victoria Selman’s Truly Darkly Deeply is a psychological thriller about a man convicted of multiple murders, and how the revelation ripples through his family – even twenty years later, as he reaches out to the family on his death bed.

The book regularly switches perspectives between present-day Sophie and a 12-year-old Sophie who is retelling the story of how Matty entered and then later left their lives. For the most part, she refuses to believe a negative word against Matty – he’s the father she never had. But even a 12-year-old has to acknowledge at some point that something doesn’t quite add up with Matty. He’s mysterious, vacant, and disappears for long stretches of time. He seems to always be available, but at the same time seems to be absent during key moments. Selman navigates Sophie’s naivety and innocence rather well in these flashback scenes.

“I knew all about Diana’s dress. I’d been keeping a wedding scrapbook of magazine cut-outs, every detail about the big day stuck in, from how many bridesmaids the soon-to-be princess was having, to the number of beads on her ivory satin shoes. I don’t remember why Matty didn’t watch the ceremony with us.”

Truly Darkly Deeply presents an interesting perspective, focusing on the family members left behind in the wake of a shocking revelation such as murder. Would you recognise if someone in your family was a serial killer? The premise is quite the hook to bring readers in and it actually reminded me a bit of Dirty John.

The pacing and the tension build are two of the strengths in the novel – Sophie’s present-day visit to see Matty does well to anchor the story, and across the course of the book you find yourself really desperate to get to that moment and find out what Matty has to say.

Additionally, I liked that there are a small number of the characters in the book, keeping the atmosphere quite claustrophobic and contained. It means there’s plenty of time in the book dedicated to understanding the dynamic between Sophie and her mother, and then Sophie and Matty.

“I wasn’t keen on spending any more time with the girl than was strictly necessary, but I’d been taught never to turn down an apology. So I thanked her and accepted her invitation graciously.”

There were a few elements of the novel that I felt could’ve been tightened – it wasn’t always clear when we were in the past or the present, so it would’ve been helpful and would’ve saved a lot of confusion if each chapter perhaps had the year dated underneath it, or even said PAST or PRESENT.

A lot of the novel is tied to this idea that Matty might not have actually been the killer, but it seems pretty clear from the beginning of the novel and so the concept of ‘is he guilty’ doesn’t really hold the value it’s intended to. And finally, Sophie’s character progression hits a bit of a snag for me towards the end. For most of the novel, she is completely against the idea that Matty could be a bad person – she is so happy he’s in her life that it’s understandably clouding her judgement. However, when she does change her mind on this, it’s too quick a decision and the thought process behind it doesn’t seem present. Suddenly, she’s changed her mind and she’s trying to convince her mother he’s a bad guy. It’s rather jarring for the reader.

“By the time we listened to his answerphone message, something in my mother had disappeared too. The despair that had plagued those first weeks of his absence had gradually eased and in its place came a sort of acceptance.”

Despite its flaws, this is a rather gripping novel and I did find myself reading it in two sittings. The premise is intriguing and compelling and regardless of its holes, readers will enjoy the journey. Recommended for readers of psychological thrillers – great for book club reads, as I think the twist at the end of the book would spark much debate. Readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Truly Darkly Deeply
Victoria Selman
July 2022
Hachette Book Publishers

Reward System by Jem Calder

Julia has landed a fresh start – at a ‘pan-European’ restaurant.
‘Imagine that,’ says her mother.
‘I’m imagining.’

Nick is flirting with sobriety and nobody else. Did you know: adults his age are now more likely to live with their parents than a romantic partner?

Life should have started to take shape by now – but instead we’re trying on new versions of ourselves, swiping left and right, and searching for a convincing answer to that question: ‘What do you do?’

A compact set of contemporary short fiction, Jem Calder’s Reward System explores the millennial experience, modern life, getting older, and trying to solidify what it is we want from our jobs.

Reward System is six short stories, each varied in length and containing an assortment of characters who make an appearance across different stories – characters move in and out of stories almost like adult friends do. Jem has a rather skilled ability to capture the micro, minute details of everyday interactions – implied meaning, concealed desire, for example. Dialogue is quite bare but conveys all that it needs to.

“Because she knew her mother didn’t have many people to talk to her in life and that Wednesdays marked the remotest point of interspace between her Sunday fellowships at St Mike’s, Julia made it a midweek habit to FaceTime with her during the breaks that divided her split shifts at the kitchen.”

Each short story is broken up further into scenes and shorter snippets, allowing for somewhat of a staccato reading experience. It feels like what we’re experiencing of these characters is just a very tiny glimpse into a much wider story, and so it leaves you wanting more.

My favourite story is the first one – A Restaurant Somewhere Else – which also happens to be the longest one (107 pages). It certainly feels like the most fully-developed story, with a slower build and comprehensive character reactions. It is also a rather quirky and enticing setting, Julia being a sous chef at a rather up-market restaurant, surrounded by quite a large suite of eccentric characters to keep the story anchored and to maintain momentum.

“Pretty celibate this whole past year, actually. With only a wall separating her from Margot and only a global cellular-network connection separating Margot from her older sister…Julia had been too sound-and-space-conscious to bring any boys back to the apartment since moving in.”

Whilst I did find a couple of the stories a little dry and slow, and I did skim read over some paragraphs that I found a little monotonous, Jem will find loyal readers in those who appreciate short story collections. The package itself is gorgeous – hardback, smaller in size, with bold colours of orange, green and blue.

“Walking home, he said he was still hungry, and when they got back to his apartment, she baked two peaches and watched as he ate them both with ice cream. He was maybe the most unselfconscious eater she had ever seen, perhaps also the greediest.”

Observant and insightful, Jem Calder’s Reward System is recommended for readers of short fiction, novellas, and literary fiction. Readership skews 30+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Reward System
Jem Calder
July 2022
Allen & Unwin Book Publishers

Stone Town by Margaret Hickey

With its gold-rush history long in the past, Stone Town has seen better days. And it’s now in the headlines for all the wrong reasons . . .

When three teenagers stumble upon a body in dense bushland one rainy Friday night, Senior Sergeant Mark Ariti’s hopes for a quiet posting in his old home town are shattered. The victim is Aidan Sleeth, a property developer, whose controversial plan to buy up local land means few are surprised he ended up dead.

However, his gruesome murder is overshadowed by a mystery consuming the entire nation: the disappearance of Detective Sergeant Natalie Whitsed.

Natalie had been investigating the celebrity wife of crime boss Tony ‘The Hook’ Scopelliti when she vanished. What did she uncover? Has it cost her her life? And why are the two Homicide detectives, sent from the city to run the Sleeth case, so obsessed with Natalie’s fate?

Following a late-night call from his former boss, Mark is sure of one thing: he’s now in the middle of a deadly game . . .

Margaret Hickey’s latest rural crime offering Stone Town reintroduces us to Senior Sergeant Mark Ariti, investigating the apparent murder of local property developer Aidan Sleeth in the secluded Stone Town, and the simultaneous kidnapping of Detective Sergeant Natalie Whitsed. It isn’t until Natalie’s car is located near Aidan’s residence that Mark starts to suspect the two crimes may be connected.

Once again, Margaret brings us an intriguing rural crime drama, navigating two crimes simultaneously and with ease. Interspersed throughout the book are italicised chapters written from Natalie’s perspective, designed to make sure that plotline doesn’t get lost amid the search for Aidan’s killer.

“Luke told them the story in a sad drawl: how he’d known Aidan from when he moved to Booralama from Warrnambool in Victoria two years ago. Followed a girl, she broke up with him, went off with some Fitter and Turner from Nhill. He got a job at Aidan’s real estate office in town, started playing footy for the seconds, liked the town, liked the job, liked Aidan well enough. Stayed.”

Mark’s past definitely had more real estate in Cutters End, but there isn’t as much of a need for his backstory in this one. With one murder victim and one missing police officer, there is enough material to fill the chapters and keep the reader turning the pages.

Stone Town manages the delicate balance between prose and dialogue – the dialogue is realistic, believable and authentic, and the prose quite descriptive and generous, particularly during chapter openings.

Themes explored in the book include family, community and service. There is quite clever foreshadowing in the opening couple of chapters, and the suspect pool is large enough to keep the reader guessing – I certainly didn’t correctly guess Aidan’s murderer.

“He didn’t run on Sundays. That was the weekly treat he granted himself, but still, he wished he could sleep in a little longer. The day would be stormy. Already, he could see the dark clouds gathering across the grey sky, wind whipping the tops of the gums in his yard. More rain was predicted. Flood warnings in place.”

This is another novel from Hickey with a strong small-town noir setting – Stone Town used to be an old gold mining town, which plays a role in the disappearance of Natalie Whitsed. Hickey writes setting with ease, capturing the vast, open landscape and that helpless feeling that a missing person could stay lost forever.

My only small gripe with the book was that some of the dialogue towards the end of the book – in the scenes where Mark confronted the perpetrator – felt a little caricature and over-the-top. Straight out of a movie scene and so on the page it didn’t quite feel natural.

“In the background, Mark could see that John had risen from his weed killing and was poking at something in the corner of the garden bed with his shoe. A tiny round thing was squirming in the dirt.”

Taut, gritty and pacey, Margaret Hickey’s Stone Town is recommended for readers of crime, mystery and thriller. Like most of the titles in this genre, you don’t need to read previous stories with this detective just to understand the present one. Readership skews 30+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Stone Town
Margaret Hickey
July 2022
Penguin Random House Publishers

Lying Beside You by Michael Robotham

Twenty years ago, Cyrus Haven’s family was murdered. Only he and his brother survived. Cyrus because he hid. Elias because he was the killer.

Now Elias is being released from a secure psychiatric hospital and Cyrus, a forensic psychologist, must decide if he can forgive the man who destroyed his childhood.

As he prepares for the homecoming, Cyrus is called to a crime scene in Nottingham. A man is dead and his daughter, Maya, is missing. Then a second woman is abducted . . . The only witness is Evie Cormac, a troubled teenager with an incredible gift: she can tell when you are lying.

Both missing women have dark secrets that Cyrus must unravel to find them – and he and Evie know better than anybody how the past can come back to haunt you . . .

The next psychological thriller from Michael Robotham, Lying Beside You centres around two missing woman, an attack on a third woman years earlier, and the secret that binds all three victims together.

Regular readers of Michael Robotham will recognise forensic psychologist Cyrus Haven from two of his earlier works – in this latest iteration, Cyrus’ brother is being released from psychiatric hospital and the troubled young adult living with him is the only witness to the abduction of a drunk woman outside of a bar. Over the course of the novel, the case of two missing women will intersect with a seemingly ‘solved’ crime from years earlier.

“I hate arguing with Cyrus. I hate that he’s older than me and that he thinks he knows everything. I hate how he picks me up on my grammar and my vocabulary, like when I say literally when I mean figuratively (whatever the fuck that means). I hate how he laughs at me, but not in a cruel way.”

Whilst this is the third appearance of Cyrus Haven, readers need not have read the first two books to follow this plot. Written in first person and moving between Cyrus and Evie’s perspectives, Robotham’s writing is stripped and almost methodical – no unnecessary prose or dialogue, only containing the elements needed to keep the reader turning the page.

Lying Beside You explores the complex relationship between Cyrus and his brother Elias – Cyrus’ line of work means that he is able to separate Elias from what he did all those years earlier, but that doesn’t mean he can necessarily forgive him, or feel uneasy leaving him alone.

Crime and thriller readers will be pleased with this offering – the pacing quickens, there are multiple mysteries to maintain a reader’s attention, and Robotham weaves them together seamlessly with an explosive conclusion.

“As I walk to my car in the hospital parking area, the air seems saturated with oxygen, making the colours brighter and my senses sharper. I lean back in the driver’s seat of my Fiat and feel my heart beating in my chest. Elias is being allowed out on day release. He expects to come home. The next step will be overnight stays.”

Admittedly, it did feel like there were two separate elements to this plot that didn’t necessarily gel with each other – the central mystery surrounding the two women, and the release of Cyrus’ brother.

The latter storyline felt a bit underdeveloped and quite lost within the overarching story. Elias is on the periphery of the story, not making enough of an impact to give the reader a lasting impression. I kept waiting for something to happen, but nothing in the plot really eventuated and so I’m wondering if this is merely setting something in motion for the next book that features Cyrus Haven?

“Half an hour later, I hear the door open and keys hitting the side table. Boots are kicked off. Mail is checked. An envelope is torn open. Cyrus appears in the kitchen. He looks at the bench, which is covered in flour, caster sugar and cocoa powder.”

Pacey, engaging and original, Lying Beside You is recommended for readers of crime, thriller and mystery. A great present for Father’s Day, readership skews 25+

Thank you to the publishing company for mailing me a review copy in exchange for an honest review.

Lying Beside You
Michael Robotham
July 2022
Hachette Book Publishers Australia