JESS JUST READS

A BOOK REVIEW BLOG

The Heart Principle by Helen Hoang

When violinist Anna Sun accidentally achieves career success with a viral YouTube video, she finds herself incapacitated and burned out from her attempts to replicate that moment. And when her long-time boyfriend announces that he wants an open relationship before making a final commitment, a hurt and angry Anna decides if he wants an open relationship, then she does, too. Translation: She’s going to embark on a string of one-night stands. The more unacceptable the men, the better.

That’s where tattooed, motorcycle-riding Quan Diep comes in. Their first attempt at a one-night stand fails, as does their second and their third, because being with Quan is more than sex-he accepts Anna on an unconditional level that she herself has just begun to understand.

However, when tragedy strikes Anna’s family, she takes on a role that she is ill-suited for, until the burden of expectations threatens to destroy her. Anna and Quan have to fight for their chance at love, but to do that they also have to fight for themselves.

Helen Hoang’s The Heart Principle is both a contemporary romance novel and commercial women’s fiction novel exploring identity, self-sacrifice and belonging. The second half of the novel painfully explores the role of family expectations and caregiving.

Protagonist and violinist Anna is struggling with her music — after experiencing viral fame, she feels her music is riddled with errors. She’s also struggling to connect with her family, and her sister’s continued disinterest and disregard for Anna’s feelings creates friction between them. Anna’s connection with Qual after an intended one night stand allows her to confront her insecurities and her hesitations (particularly relating to intimacy), and work to understand herself a little better.

“There’s a confidence and relaxed coordination in the way he moves that suggests he’s been in a few fights — and won them. Have I lost my mind that this is intensely appealing to me, that hint of danger?”

Helen’s strength lies in her narration and voice. Written in first person, Anna’s voice offers reflection at key moments. She’s wise and intelligent, and she’s considerate. Too considerate. She puts others before herself, and she doesn’t quite understand how unhappy she is — how she’s not living the life she wants.

For most of the novel, Anna battles with herself as she tries to overcome her music struggles and her family’s judgement of her. When Anna’s psychologist tells her that she’s likely autistic, it allows Anna the chance to understand who she really is, and how she can progress in her personal life and her career.

Many readers will understand that multi-faceted feeling of pressure — from family, partners, career, and society. Sometimes we are our own worst enemy, so it’s nice to feel reassured about who you are and where you are in life.

“Parts of me don’t look quite right anymore. That’s the simple truth and something that I feel I need to explain. There’s also the other thing, the thing that I haven’t told anyone yet, because it’s awkward and it sucks and sometimes it still makes me cry.”

Admittedly, the novel does a bit like a clash between priorities. Is this a romance first and foremost? The first half certainly feels like it, but the second half almost feels like a different story. I’m not saying it’s not enjoyable — I binged the book in one day — but it did feel a bit like a jolt as I made my way through the story. The progression of Anna and Quan’s romance certainly felt predictable, and the ending foreseeable.

Personally, I loved that Anna’s relationship with her sister was left unresolved at the end of the novel. It shows that not everything can be fixed or wrapped up in life, and that sometimes relationships can remain broken.

“His words catch me off guard, and I stare at him for a moment. I need to run, to escape, to crumple up tonight like a ruined sketch and start with a fresh sheet. And he’s telling me not to. Worse than that, he makes perfect sense. And he’s smiling again, taking my breath away and making me stupid.”

Heartwarming with a lot of soul and charm, The Heart Principle is recommended for fans of romance and commercial women’s fiction. I can see YA readers loving this as well. Readership skews female, 20+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Heart Principle
Helen Hoang
September 2021
Allen & Unwin Book Publishers

The View Was Exhausting by Mikaella Clements and Onjuli Datta

Whitman ‘Win’ Tagore and Leo Milanowski are the greatest love story of our time. International movie star meets the beautiful son of a millionaire. Their kisses write headlines and their fights break the internet. Nobody needs to know it’s not real.

Win knows that Hollywood demands perfection – especially from a woman of colour. Leo just wants to enjoy life, and shift press attention away from his dysfunctional family.

Together they control the narrative. Except this time, on the shores of Saint-Tropez, Leo is hiding a secret that is about to send Win’s world spinning. Now everyone’s dream couple must confront the messy reality of their relationship. Just as they’re starting to realise that they might actually be falling in love…

Co-authored by married couple Mikaella Clements and Onjuli Datta, The View Was Exhausting is a contemporary love story set within the high-pressure, fast-paced world of Hollywood royalty, diving into the complex political competition of celebrity culture and efforts undertaken to stay relevant in such a fast-paced society.

This book surpassed all of my expectations. The writing is sleek and stripped, the characters alive and multi-dimensional. I felt like I was glimpsing into the glamorous lives of the rich and famous, desperate to turn the page. Don’t let the blurb mistake you — this is about so much more than a relationship. It’s about identity, perception and image, and what we project to the world versus what we’re like behind closed doors with our closest family and friends. Above all else, the prose is beautiful.

“Win leaned back and exhaled. It had been a successful week of parading Leo up and down the coast. The public was back on her side. Her image had been revitalised. The first thing that came up when you googled her was a barrage of excited rumours about The Sun Also Rises.”

Flashbacks are embedded within chapters so we come to understand how their seven-year partnership began, and how it’s evolved and developed over time. Leo doesn’t really need Win, but Win frequently needs Leo.

As a British Indian woman, Win has to grapple with her identity as a woman of colour as well as a woman on the cusp of global stardom. She has to work harder than others to maintain her facade, because it’s been so easy for others to tear her down.

The View Was Exhausting feels like escapist fiction, because the settings in the novel seem like a character itself. Win and Leo fly between glamorous locations and parties, carefully working to construct a narrative around their relationship that will keep them in the news for the right reasons. Publicist Marie is a fun character, and one of my favourite. Without her, Win wouldn’t know how to build her reputation back up each time it shatters. Marie is no-nonsense and brutal, doing what she can to protect the reputation of her clients.

“It made him feel like a sulky child, unimportant and neglected, like he was part of his dad’s entourage again. He would have complained, except he was absolutely certain that Win knew and was doing it deliberately.”

I do wish there was more chemistry between Win and Leo. I’m not sure I really bought their love for each other — fake or real. Their connection was so fraught and tense for so much of the book, we don’t really witness enough tender or happy moments from them to see what a real relationship between them could resemble.

In fact, the most compelling scenes between them were when they were arguing, because their true feelings about the other and their flaws were revealed — it was quite an interesting character study to read their dialogue during moments of conflict.

“But it was becoming clear that her work wasn’t enough. And if she didn’t want to squander her gift, if she wanted to stay true to her ambition and her father’s belief in her, she would have to make sure that she got the opportunities she needed.”

Sharp, atmospheric and affecting, The View Was Exhausting is recommended for literary readers, and fans of domestic and romantic tales. If you love Taylor Jenkins Reid, you’ll love this. Readership skews female, 25+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The View Was Exhausting
Mikaella Clements and Onjuli Datta
July 2021
Hachette Book Publishers

One Last Stop by Casey McQuiston

For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don’t exist, and the only smart way to go through life is alone. She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.

But then, there’s this gorgeous girl on the train.

Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges and swoopy hair and soft smile, showing up in a leather jacket to save August’s day when she needed it most. August’s subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem…

Casey McQuiston’s One Last Stop is a heartwarming romance, the perfect long weekend or holiday read. Her previous novel Red, White and Royal Blue was an instant favourite of mine, so of course I was excited to read her latest release.

I’d recommend you go into this book without reading too much about the plot. I’ve actually removed some of the blurb from above to stop readers from knowing what the twist is. Because it’s quite unexpected in the book, and I think it’s a fantastic twist that works better when you don’t see it coming.

“And the thing is, in New York, everyone ends up worn down by the MTA and tourists and rent prices. Everybody’s seen it all. But that also means, sometimes, everyone is the smallest nudge away from delirium — from being trapped on the subway on a Wednesday morning and turning it into a ‘90s hip-hop dance party.”

When August moves into a NY share-house apartment with three other people, I instantly felt like I was reading about an episode of New Girl.

One of the strengths of this story — apart from its originality and characterisation — is the dynamic between August and her roommates. Conversations are funny and whip-smart, and dialogue captures all the personalities with ease. I found the friendships in this story just as interesting to read about as the romance that the story is centred around. Young women, particularly young queer women, will be able to see themselves in this story.

“There are two things coiled in August’s chest these days. The first is her usual: anxiety meets full-on dread. The part of her that says, trust nobody, even and especially anyone that pushes softly into the chambers of your heart. Do not engage. Carry a knife. Don’t stab them, but also, maybe stab them if you have to. The other, thought, is the one that really freaks her out. It’s hope.”

Admittedly, you do have to stretch your imagination to follow the storyline. The circumstances surrounding Jane become quite hard to believe as time goes on, and the ending is also a bit of a mind-boggle. But if you push past that, One Last Stop is a really moving story about love and how it can persevere even in the most unlikely of situations.

I’m glad this book is less thirsty than Red, White and Royal Blue. I probably loved Casey’s previous book more, because I loved the setting a bit more, but the only downside to Red, White and Royal Blue is the graphic, detailed, over-the-top sex scenes were a bit much for me and I found myself skipping them towards the end. But luckily this book has toned it down quite a bit, and whilst there are sex scenes, there are far fewer. Although, personally, I wasn’t a fan of the sex-in-public-on-the-subway scene. Yeesh.

“Jane talks to everyone, but she never misses August, always a few sly words or a quick joke. And August wonders if maybe, somehow, Jane thinks about it as much as August, if she gets off at her stop and dreams about what August is up to. Some days, when she’s working long hours or locked up in her room for too long, Jane is the only person who’s kind to her all day.”

Recommended for contemporary romance readers — those moved by young love, and that time in your life where you’re trying to figure out your life. There are elements of magical realism, speculative and sci-fi in the story, but if you go in unprepared I do think you’ll love the twist just as much as I did. Readership skews female, 16+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

One Last Stop
Casey McQuiston
June 2021
Pan Macmillan Book Publishers

The Champagne War by Fiona McIntosh

In the summer of 1914, vigneron Jerome Méa heads off to war, certain he’ll be home by Christmas. His new bride Sophie, a fifth generation champenoise, is determined to ensure the forthcoming vintages will be testament to their love and the power of the people of Épernay, especially its strong women. But as the years drag on, authorities advise that Jerome is missing, considered dead.

When poison gas is first used in Belgium by the Germans, British chemist Charles Nash jumps to enlist. After he is injured, he is brought to Reims, where Sophie has helped to set up an underground hospital to care for the wounded. In the dark, ancient champagne cellars, their stirring emotions take them both by surprise.

While Sophie battles to keep her vineyard going through the bombings, a critical sugar shortage forces her to strike a dangerous bargain with an untrustworthy acquaintance – but nothing will test her courage more than the news that filters through to her about the fate of her heroic Jerome.

Set during World War I, Fiona McIntosh’s The Champagne War is a sweeping saga about lost love, legacy, survival and and of course, champagne. Set amongst the gorgeous sun-kissed vineyards of rural France, and the tumultuous battle grounds in Belgium, Fiona’s latest novel follows a newly married couple torn apart by war.

This is my first time reading a Fiona McIntosh book, which is a little baffling considering how much I love historical fiction. The premise is exactly the kind of read I knew I’d love, and I was not disappointed.

Fiona’s prose is delectable. Written in third person, Fiona captures each character’s voice and personality with ease. Dialogue is rich and realistic, and the pacing maintains consistency throughout. Setting is a huge part of the book, like most historical fiction. Fiona guides you through France and Europe, exploring the different facets of the war and how people in different locations were affected by the fighting.

“In the time she’d stood here, how many men had been hit by bullets? How many men had died from artillery? Or shrapnel wounds? A new battle was now raging in Belgium. Flanders was aflame again, and the French soldiers were bogged in trenches alongside their allies.”

At its core, The Champagne War is a love story between Sophie and Jerome. It’s about hope and perseverance, and the strive that one has to return home to their loved ones. But The Champagne War is also about Sophie’s independence and determination to continue managing her vineyards even during such a tumultuous time. She’s a wealthy woman, and intelligent, and even during the war she works hard to produce the champagne she loves so much. Even if it means striking a bargain with someone she despises.

The Champagne War highlights the far-reaching effects of war and its unfortunate soldiers. It’s not just about the men on the battle grounds — it’s also their family and friends, their loved ones, and their children. How must they go about their lives when war is raging? When they’ve lost someone they care about? Sophie spends many years in disbelief that Jerome has died in battle. She fights for evidence. She fights for the truth. But when the gorgeous Charlie crosses her path, and she feels attraction towards him, she feels deep guilt. She feels like she’s abandoning her husband, even though he’s been gone for many years. How many other women felt like this?

“Sophie let out a sighing breath and forced herself to stand, shake out her tense shoulders, and move on to another task. She knew the time was fast approaching to let Jerome go, let him live on in her memory…through his vines and the champagne with which she would honour him.”

The presence of champagne and its significance in the book adds a bountiful joy to the story. It’s clear that a lot of research went into writing this book, from the locations to the war, to the details around growing, bottling, and producing champagne amidst all that chaos. Fiona brings authenticity to the novel, and readers will appreciate all the insights into the vineyards and the champagne.

“The woman in front of Sophie looked over her shoulder and caught her attention. For over two hours they had been riddling the champagne bottles, angled into the shelves they called pupitres. It needed focused diligence to carefully turn thousands of bottles one eights forwards from yesterday’s position.”

Recommended for fans of historical fiction, romance, and sweeping sagas tracking generations. Readership skews female, 20+

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Champagne War
Fiona McIntosh
November 2020
Penguin Random House Publishers

The Orphan of Good Hope by Roxane Dhand

Transport yourself from the canals of Amsterdam, across the waves, to the rough-and-tumble frontier town at the Cape of Good Hope.

In 1683 life is gruelling for the young women in Amsterdam’s civic orphanage. The sole light in Johanna Timmerman’s existence is her forbidden love for Frans, an orphan in the boys’ section who has a smile like sunshine. Then he is gone, whisked across the globe to the Dutch East India Company’s nascent colony at Good Hope.

Floriane Peronneau’s privileged world is pleasant and fulfilling until she discovers that it is all built on lies. Far from being the devoted gentleman he seems, her husband Claes is a womanizing degenerate who has led them to the edge of ruin. And the forces are closing in on him.

While Johanna’s love drives her to make a shocking bargain to secure passage to the Cape, Floriane is caught in a terrifying game of cat and mouse. The two women’s lives could not be more different. Yet, on the long, dangerous voyage to the southern tip of Africa, they will become the best of friends – and co-conspirators . . .

Roxane Dhand’s historical fiction novel The Orphan of Good Hope is a sweeping saga about family, inheritance, truth, friendship and fighting for what’s just. Featuring multiple settings and grandiose locations, The Orphan of Good Hope features two strong female protagonists as they fight for their place in a world dominated by dishonest men.

Setting is a leading strength in Roxane’s novel. Initially, we’re engulfed in the canals of Amsterdam; readers will feel enticed and seduced by the European location. Johanna, in particular, feels most at home here. She’s hopeful and uplifted by those around her, and she’s falling in love with fellow orphan Frans. There’s a lot ahead of her.

Whilst we do spend a portion of the book in South Africa, the time spent aboard the ship is where Johanna and Floriane’s journeys really flourish. Here, there’s opportunity. Johanna is determined to pursue the connection with her love interest, and Floriane endeavours to extricate herself from her cheating, thieving husband.

I do think there was more scope to incorporate the weather. In all locations, most scenes are set indoors but there still felt like a distinct lack of temperature or scenery embedded into the chapters. How did the bitter snap of Amsterdam make the ladies feel? And how does this compare the windswept journey aboard the ship? Did they feel more free? And in South Africa, the heat? The landscape? I felt like Roxane never really focused on any of these elements, and it was a missed opportunity to set the locations apart.

“Almost eight years ago, Johanna had made this journey in reverse, but her memories were no help now. She followed behind as they turned right on Kalverstraat, crossed over Dam Square with its town hall and weighing house, and traipsed across a humped bridge to where people, crowds of them, shouted and jostled on the greasy cobbles.”

Split into three parts, The Orphan of Good Hope is written in intimate third person POV, allowing the reader to move between Johanna and Floriane’s perspectives. Johanna is young, but intelligent. She’s mature and measured. She takes chances; she’s distracted by love and the future, but she’s also cautious about her surroundings and her unknown future. Floriane, on the other hand, is older but a little daft. She’s oblivious to her husband’s secrets, and a little slow to catch on. It likely stems from her privilege in society. Whilst she eventually forges a path for herself, determined to leave her husband behind, it did take a bit of time to warm to Floriane. She’s not as relatable.

At times, the POV was a little stilted — the transitions weren’t always seamless — particularly because for most of the novel, Floriane and Johanna were in the same location so it was a little tougher to initially tell the two perspectives apart.

Despite this, I did really enjoy The Orphan of Good Hope. I always gravitate towards historical fiction, particularly any that have strong female protagonists. The exotic locations drew me into the story, and the plot and twists kept me turning the pages. I was determined to find out how Floriane and Johnana’s stories would resolve, and what their lives would look like at the end of the book.

“He crept away without interrupting them, but anger was boiling within him. Backed into a recess at the side of the ship, Claes concealed himself in darkness and chewed on his lip till blood seeped into his mouth. Slipping his hand inside his coat, he fingered his short-bladed dagger in its sheath at his belt.”

Layered within the story are hints of violence, betrayal, mystery and danger. Women weren’t safe in the 1600s, no matter where they were. Men couldn’t always be trusted, and Johanna has to be incredibly vigilant and aware of her surroundings, the threat of danger looming, forever on the cusp.

Floriane also finds herself in some potentially dangerous situations, particularly when she’s working against her husband and trying to catch him out for his thievery and dishonesty. Roxane builds tension with slow and measured scenes — The Orphan of Good Hope is a slow-build, a historical novel simmering with intrigue and possibility.

“Time on board ship passed slowly but, still, days eventually turned into weeks, and there were even moments when time got away from Johanna.”

Recommended for fans of historical fiction, and sweeping sagas with a large cast and a faraway setting.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Orphan of Good Hope
Roxane Dhand
September 2020
Penguin Book Publishers Australia