JESS JUST READS

A BOOK REVIEW BLOG

The Two Lost Mountains by Matthew Reilly

Against all the odds, Jack West Jr found the Three Secret Cities but at a heartbreaking cost. His beloved daughter Lily, it appeared, was slaughtered by Sphinx in a cruel ancient ritual.

With his rivals far ahead of him, Jack must now get to one of the five iron mountains – two of which have never been found – and perform a mysterious feat known only as ‘The Fall’.

Although what is this object on the moon that is connected to it?

Amid all this, Jack will discover that a new player has entered the race, a general so feared by the four legendary kingdoms they had him locked away in their deepest dungeon.

Only now this general has escaped and he has a horrifying plan of his own…

Matthew Reilly’s The Two Lost Mountains is the sixth and second-last novel in the Jack West series, a rollicking, fast-paced, energised adventure series for adults.

In The Two Lost Mountains, the penultimate book in the series, Captain Jack West undertakes tasks and quests to hunt the labyrinth. Additionally, when the villain Sphinx steals the Siren bells that have disastrous effect on locals, Jack West races against the clock to defeat an unstoppable enemy force.

This latest installment will please loyal fans of the series. You’ll once again meet the familiar cast of characters you’ve come to love in the previous five books, and once again Matthew Reilly has thrust them into a high-intensity environment that tests their resolve.

“Jack wanted to retrieve some ancient texts and files he kept in a bio-secure vault there. In particular, he was after a collection of documents related to his very first mission with Lily, the one involving the Great Pyramid at Giza and the Seven Wonders of the Ancient World.”

Readers will find themselves enthralled by the well-researched, rich history of the story, as well as the unpredictable twists on ancient mythology.

Stylistically, the plot maintains the interest of the reader. The dialogue is consistently realistic and relatable, the surprises unforeseen, and with each passing chapter the reader will find themselves enraptured by the storytelling.

“Moving quickly by the light of a small flashlight, he wended his way down several dark passageways, moving ever deeper into the ancient prison until at last he came to the innermost dungeon of the whole ghastly place.”

Admittedly, the pacing in The Two Lost Mountains could’ve benefited from being slower at times. A lot of scenes are truncated and punchy, and everything races along so fast that there’s not always enough description or details. You don’t always need this, but the novel would’ve helped to have a bit more of this embedded within.

“Lily saw the reactions immediately. A garbage truck beneath her veered off the road and slammed into a building. Cars collided on the ring road. The buses on the boulevards crashed into light poles, traffic lights and shopfronts. Lily watched in helpless horror.”

Fans of this series will be satisfied with the last installment. Now all we have to do is wait for the final one.

Recommended for fans of thriller, mystery, action and adventure. Readership skews male 14+.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Two Lost Mountains
Matthew Reilly
October 2020
Pan Macmillan Publishers

Hermit by S.R. White

After a puzzling death in the wild bushlands of Australia, detective Dana Russo has just hours to interrogate the prime suspect – a silent, inscrutable man found at the scene of the crime, who disappeared without trace 15 years earlier.

But where has he been? Why won’t he talk? And exactly how dangerous is he? Without conclusive evidence to prove his guilt, Dana faces a desperate race against time to persuade him to speak. But as each interview spirals with fevered intensity, Dana must reckon with her own traumatic past to reveal the shocking truth . . .

S.R. White’s Hermit is an atmospheric and addictive psychological thriller. Set over the course of one day, detective Dana Russo has just 12 hours to interrogate the prime suspect in a murder case — a reclusive, mysterious man found at the scene of the crime, who hasn’t been seen or heard from in fifteen years and is reluctant to divulge any details to the police. Dana must follow her instincts to uncover the truth about the murder.

Set in rural Australia, S.R. White has captured the remote, secluded atmosphere of the desolate outback. Households are distanced but neighbours are nosy. Gossip runs rife through the town, and every family is hiding some sort of secret.

“Mike wasn’t veering towards the most common kinds of stabbings — drug arguments gone bad, gang wars, disrespected teenagers. Partly because they usually happened in the street, or at a location known to police already. Partly because those kinds of crimes rarely if ever happened just before dawn.”

With no CCTV, murder weapon or forensics to work with, Dana must rely on the suspect to reveal what happened, and it certainly makes for a unique crime novel.

Despite a great portion of the novel taking place within the walls of a police interview room, there are still a lot of divergence in setting. Dana and her colleagues interview different people around town — those relating to Lou and his wife, and those relating to the mysterious man found at the scene, Nathan.

The strength of this novel lies in the investigation — Dana illustrates great skill in reading other people, understanding their behaviour, and her ability to unpack Nathan’s psyche proves fascinating and enjoyable. Every conversation feels like a carefully constructed game of cat and mouse, tension rising and falling, pacing altering with every passing page. My attention never wavered.

“Because of the solitary stab wound, Dana had expected the knife to be on the floor. A single stab in panic, in the midst of a scuffle, usually prompted the stabber to drop the blade and flee. At the very least, they let go in shock at what they’d done, or in disbelief that the person in front of them was dying. That didn’t seem to have happened here.”

The concept of the ‘hermit’ is an interesting one, and executed in a way that felt fresh to the genre. I was fascinated to find out more about Nathan’s history. Where has he been for 15 years? How has he survived? Why did he leave and what dangers will suddenly arise now that he’s resurfaced?

Additionally, Hermit subtly explores themes of mental health and suicide. In the opening chapter, Dana is sitting atop a cliff contemplating plunging to her and death and trying to make it look like an accident. Every year, on this exact day, she takes annual leave and spends all day trying to decide if she should kill herself. It’s an incredibly vulnerable time for Dana, and when she’s thrust into a murder investigation unexpectedly, it throws her plans. Readers will feel a close kinship with Dana, even if they don’t necessarily relate to her. She’s intelligent and bolshy, but she also evokes empathy and sympathy in the reader.

“No response. Although he shivered: seemingly involuntarily, judging by his slight grimace. Any body language, any inflection — let alone any comment — appeared to him an unconscionable degree of exposure on his part. Perhaps he would prefer total darkness, or to be a disembodied voice: being visible and tangible was apparently unfamiliar, worrying.”

Admittedly, I found the ending a little unsatisfying. The concept of the ‘day’ that Dana keeps talking about, and what it means for her, fizzles out in the end, with no real resolution. Additionally, we’re set up to find out some of Dana’s backstory but it’s only partly revealed and feels like an info dump — unnatural, jolting.

Despite these minor flaws, I really enjoyed Hermit. An original, gripping and captivating thriller that readers will love. Recommended for fans of crime, thriller and mystery.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Hermit
S.R. White
September 2020
Hachette Book Publishers

Either Side of Midnight by Benjamin Stevenson

At 9.01 pm, TV presenter Sam Midford delivers the monologue for his popular current affairs show Midnight Tonight. He seems nervous and the crew are convinced he’s about to propose to his girlfriend live on air.

Instead, he pulls out a gun and shoots himself in the head.

Sam’s grief-stricken twin Harry is convinced his brother was murdered. But how can that be, when one million viewers witnessed Sam pull the trigger? Only Jack Quick, a disgraced television producer in the last days of a prison sentence, is desperate enough to take Harry’s money to investigate.

But as Jack starts digging, he finds a mystery more complex than he first assumed. And if he’s not careful, he’ll find out first-hand that there’s more than one way to kill someone . . .

Australian author Benjamin Stevenson publishes his second crime novel Either Side of Midnight, and it’s another page-turning, fast-paced, high-tension masterpiece. Either Side of Midnight wraps its claws around the reader, drawing them closer with each passing chapter. Readers will have no choice but the ride the rollercoaster of this novel.

Fans of Benjamin’s previous novel, Greenlight, will recognise disgraced TV documentarian Jack Quick as the protagonist. He’s been serving a prison sentence after the events in Greenlight, and when he’s released, he accepts the paid opportunity investigating news anchor Sam Midford’s suicide. Jack is thrust back into the world he’d left behind — another suspicious death, more deceitful suspects, and plenty more complex and complicated truths.

Either Side of Midnight explores the power of technology, and how easily words can influence others. Services aren’t yet equipped to handle criminal cases where technology is used as a weapon.

“Jack hadn’t been prepared enough to come back here. The whole building was triggering. The epileptic rotation of adverts. The rustle of the ground floor. Any of the bathrooms where, sometimes, at ten in the morning, Jack on his knees and a man snorting a line off the basin would lock eyes conspiratorially.”

Once again, we’re thrust back into Jack’s world, quickly remembering what made us like him so much the first time around. He’s flawed, but likeable. Relatable. He’s calculated and intelligent — quick to join the dots in the case. Dialogue is quick and blunt, Benjamin only using as many words as necessary to keep the pacing consistent, to keep the story moving forward.

Chapters end with revelations and unveilings, drawing the reader in and forcing them to keep reading. Benjamin is incredibly talented at dropping hints and clues without the reader feeling like they can guess the ending.

“Harry didn’t know if he slept. The night blurred past, timeless. Some moments he was counting the seconds, and others he seemed to zone out and when he zoned back… was the moon in a different spot? Time must have passed.”

Set in Sydney, an underlying theme is familial loyalty, and processing feelings of regret. Jack is still dealing with an accident from his childhood that left his brother in a permanent vegetive state and entirely reliant on care. Jack’s father has been forced to take on the burden of his son’s care while Jack has been in prison, and Jack feels deep regret.

There isn’t much I can fault with this novel. The cast of characters are three-dimensional and engrossing, the plot feels original and incredibly inviting, and Benjamin has incredible skill crafting scrumptious crime/thriller novels.

“It’s a cliche in film and television to present recent widows as brittle, frail. To have the make-up team use pale foundation, ghost-like, and smear dark circles under their eyes. Every time a widow opens a door in a film, they’ve just finished crying. The message being that, without their husband, they are barely keeping it together.”

Recommended for fans of crime and thriller. Readers don’t need to read Greenlight to understand or follow the events in this new novel — Either Side of Midnight functions as a standalone.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Either Side of Midnight
Benjamin Stevenson
September 2020
Penguin Book Publishers Australia

The Girl from Widow Hills by Megan Miranda

Everyone knows the story of the girl from Widow Hills.

When Arden Mayes was six years old, she was swept away in terrifying storm and went missing for days. Against all odds, she was found alive, clinging to a storm drain. A living miracle. Arden’s mother wrote a book, and fame followed. But so did fans, creeps and stalkers. It was all too much, and as soon as she was old enough, Arden changed her name and left Widow Hills behind.

Now, a young woman living hundreds of miles away, Arden is known as Olivia. With the twentieth anniversary of her rescue looming, media interest in the girl who survived is increasing. Where is she now? The stress brings back the night terrors of Olivia’s youth. Often, she finds herself out of bed in the middle of the night, sometimes outside her home, even streets away. Then one evening she jolts awake in her yard, with the corpse of a man at her feet.

The girl from Widow Hills is about to become the centre of the story, once again.

Megan Miranda’s The Girl from Widow Hills is a fast-paced psychological thriller about a young woman forced to face her traumatic but mysterious past when a dead body is discovered on her property.

At 6 years old, Arden Maynor got caught in a flash flood whilst sleepwalking. She miraculously survived in a storm drain for three days and was found clinging to a grate. Fame followed her for years and so when she got older, she changed her name to Olivia Wells and moved to rural North Carolina.

Now 26 and a hospital administrator, Olivia works hard to keep her past hidden. Until that body ends up outside her house and she’s thrust back into the spotlight once again, the media circus returning to her front door.

“I was too young to really remember, and too much time had passed anyway, the trauma buried under so many layers that it existed only in the psychological reactions: the flutter of my pulse as the doors slid shut in an elevator; a ringing in my ears in the darkness of a movie theatre before the first trailer kicked in…”

A lot of this book explores unprocessed trauma — memory loss, murky childhood events, and the unreliability of Olivia’s mind. The Girl from Widow Hills also explores the media’s obsession with these survival stories, people who escape the inescapable. And then the media feel they’re owed updates in the years to follow. They don’t always care for the life that person is trying to lead, away from the limelight.

The writing is sleek and effecting. Narrative devices propel the story forward, red herrings keep you guessing, and the carefully woven twists and turns keep you enthralled. The cast is large enough that there’s room to suspect just about anyone of anything, and there’s enough mystery to keep the readers guessing.

The book is scattered with additional narrative elements that help carve a bigger picture surrounding Olivia’s childhood, such as newspaper articles, interview transcripts, police reports, and publicity coverage. Slowly, we’re able to piece together what happened to Olivia as a child, and how that connects to the dead body she found on her boundary line.

“There was a visceral reaction to speaking about the past. Something I’d long gone out of the way to contain. A shaking that started in my fingers, a tremor that worked its way through my body, though no one seemed to notice but me. The precursor to panic; something that seized my mind and body alike.”

Truthfully, I think there’s a bit of disconnect between the reader and Olivia. You spend so much of the book trying to understand her past, and her memories from when she was six, that I don’t feel like you really get to connect with her as an adult. Olivia comes across as distant — a little stiff and boring. You never really feel a huge range of emotions coming from Olivia, it’s mainly an observant kind of POV, assessing the events around her. Readers will follow along for the mystery, not for the characters.

“Everyone tried to act normal when I arrived at the hospital. Faces that were either too friendly, or people who averted their gaze entirely, pretending to be absorbed in their phones. I had found a dead body outside my house, and everyone knew it.”

Admittedly, the ending is a little far-fetched and rushed but by then you’re so seduced by the story, you don’t really care.

Recommended for fans of thrillers, crime and psychological suspense novels.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Girl from Widow Hills
Megan Miranda
August 2020
Allen & Unwin Book Publishers

None Shall Sleep by Ellie Marney

It’s 1982, and the innovative FBI Behavioral Science section is breaking new ground. Emma Lewis and Travis Bell, two teenagers with valuable skills, are recruited to interview convicted juvenile killers for information on cold cases.

When they’re drawn into an active case targeting teenagers, everything starts to unravel. Over Travis’s objections, Emma becomes the conduit between the FBI and an incarcerated serial killer, nineteen-year-old Simon Gutmunsson, who is a super-intelligent sociopath. And although Simon seems to be giving them the information they need to save lives, he’s also an expert manipulator playing a very long game …

Can Emma and Travis stop a serial killer on the loose – or will they fall victim themselves?

In Ellie Marney’s latest YA crime None Shall Sleep, two 18-year-olds in the US find themselves interviewing juvenile killers for the FBI — soon, they’re on the hunt for a vicious and fast-moving serial killer, who targets teenagers.

I’ve read a few of Ellie’s books and this is by far my favourite, and the strongest writing I’ve seen from Ellie. The prose is sharp and blunt; Ellie only uses words she needs to, propelling us through the story with efficiency.

The premise is a little absurd, sure, but it’s easy to put that aside and just let yourself fall into this thriller. I’m a sucker for a good crime story and Ellie kept me guessing with each chapter. All my predictions were wrong — all my guesses were misguided. Readers will find themselves engrossed in the story, desperate to turn each page.

“The inside of Behavioural Science is all low ceilings, crummy carpet, and cubicle hallways. Not as impressive as he imagined. Bell hears the sound of someone hanging up a phone farther ahead, then a muffled question, answered by an unfamiliar voice.”

Both Emma and Travis have troubled pasts that they avoid speaking about. Emma was kidnapped two and a half years earlier by a serial killer, but managed to escape. She still carries the scars — physically and mentally. Travis’ dad was murdered by a serial killer, and when that same serial killer crosses their path, Travis struggles to process the events.

Somehow, just somehow, I managed to read this entire book without realising it was set in 1982. I’d read the blurb multiple times and somehow missed it, and then I read the book and assumed it was set in the present. And to be honest? It works in the present. I mean, the premise is all a little ridiculous and unbelievable, which is probably why it’s not set in the present, but there didn’t really feel like any key descriptors or atmospheric indication that this was the 80s.

I think it’s both a good and bad thing. Good, because if it was too heavily embedded in 80s culture/landscape, teenagers today might not have enough of an interest in that to keep reading. And perhaps bad because…isn’t it a little weird you can read a whole book set in the 1980s and not realise? Ellie probably could’ve captured the setting a little stronger, without alienating her young readers.

“Kristin Gutmunsson’s resemblance to her twin is striking. She has the same gifts of good breeding, the poise and length of bone. She’s barefoot, in a simple cream linen shift that likely cost about as much as a small car. Her hair is ice-white and hands down in long tassels that remind Emma of Spanish moss — which makes her thinks of chiggers.”

It’s clear that a lot of research has gone into the writing of this book — the technicalities around the cognitive behavioural strategies, the descriptions of the killings and the crime scenes, the PTSD that Emma suffers from. Ellie has crafted a multi-layered story that sucks you deep into its clutches with each passing chapter.

Notorious serial killer Simon Gutmunsson plays a large role in this book, which I loved. He’s a fearsome character — he terrifies the reader with his quiet demeanour, his careful and considered actions. His characterisation is flawless, his dialogue chilling. He is both charming and intimidating, you can’t help but fall in love with him even though he’s a cold-blooded and remorseless killer. Readers will sympathise with his one weak spot — his love and devotion to his sister. It’s important to give antagonists something in their personality that makes them relatable, it allows the reader to understand them a bit better and perhaps like them. Simon’s connection with his twin sister Kristin makes him relatable, well-rounded, three-dimensional, and even that bit more human. It also allows for a few tender moments within the story.

“Cooper navigates the roads towards the Capitol Building, and Bell’s eyes move over the scrawl of Emma’s handwriting. She’s taken the entire interview down like dictation, and Bell finds the part he’s reading disturbing.”

As a long-time fan of Criminal Minds, I absolutely loved this book. I was genuinely shocked at how obsessed I became with this novel — how quickly I ditched plans just so I could finish this. The chapters snap at your heels, demanding you to keep reading, daring you to venture further.

Chilling and disturbing, but also really fucking entertaining. Recommended for readers of all ages.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

None Shall Sleep
Ellie Marney
September 2020
Allen & Unwin Book Publishers