Her advice, spot on. Her love life, way off.

Darcy Phillips:
Can give you the solution to any of your relationship woes – for a fee.
Uses her power for good. Most of the time.
Really cannot stand the new Australian jock at school, Alexander Brougham.
Has maybe not the best judgement when it comes to her best friend, Brooke…who is in love with someone else.
Does not appreciate being blackmailed.

But when Brougham catches Darcy in the act of collecting letters from locker 89 – out of which she’s been running her questionably legal, anonymous relationship advice service – that’s exactly what happens. In exchange for keeping her secret, Darcy begrudgingly agrees to become his personal dating coach. The goal? To help him win his ex-girlfriend back.

Darcy has good reason to keep her identity secret. If word gets out that she’s behind the locker, some things she’s not proud of will come to light, and there’s a good chance Brooke will never speak to her again.

Okay, so all she has to do is help an entitled, bratty, (annoyingly hot) guy win over a girl who’s already fallen for him once? What could possibly go wrong?

Sophie Gonzales’ Perfect on Paper is her second contemporary YA novel, once again set in the halls of high school and exploring sexuality, friendship, family and budding romance. Earlier this year I read Only Mostly Devastated. and loved it, so I’ve been excited to read this next one from Sophie.

The concept is enticing — Darcy runs an anonymous advice service for fellow students, and she’s very good at it. But when her secret is discovered, she teams up with an unlikely classmate to help him win back his ex-girlfriend. Young readers will devour this one.

“I sent back a text to Brooke. What I wanted to say was abso-fucking-lutely she could come over, as soon as possible, and in fact, she could also move in, and marry me, and mother my children while she was at it, but my extensive study in relationships had taught me wild obsession wasn’t cute.”

Perfect on Paper features bi-sexual representation, and issues around queerness and identity. The chemistry between Darcy and Brougham is evident from the beginning, setting up a really sweet love story between two unlikely allies.

As with her last book, Sophie’s strength lies in her first person narration. We get an immediate and all-encompassing sense of who Darcy is based on her voice and her narration. She’s flawed, yes, and she makes poor choices when she’s blinded by love, but her heart is in the right place even when her mind isn’t. Over the course of the novel, Darcy comes to understand the importance of being honest and owning up to past mistakes. The fallout may be damaging, but in the long run, it’s best for everyone.

Sophie captures that ache you felt as a teenager when the person you loved didn’t feel the same way — even adult readers will be able to relate to Darcy in this way. I think, deep down, Darcy knows Brooke doesn’t like her in that way, and it’s devastating. Darcy is so good at advising others on how to pursue their interests, but she can’t follow her own advice. She struggles to work up the courage to communicate with Brooke about how she’s feeling.

“He held eye contact with me, and I felt like maybe I should be waving, or something? But what if Finn noticed, and asked how we knew each other? And then what if Brougham told him, and Finn told literally everyone he’d ever met, and then my whole life fell apart?”

Darcy’s inner turmoil and emotional pain about not being ‘queer enough’ felt a little underdeveloped in the plot, and subsequently its resolution at the end of the novel felt a little rushed.

Additionally, some of the conversations in the novel ran a little long, and the banter a little dragged out. Whilst conversations felt relatable and authentic, some of them could’ve used some trimming to make scenes more succinct.

“As usual, getting a message from Brooke made me feel like the law of gravity had declined to apply to me for a beat. She was obviously thinking about me instead of doing her homework. How often did her mind wander to me when she started daydreaming? Did it wander to anyone else, or was I special?”

Tender and charming, Perfect on Paper is suitable for teenage readers. 12+

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Perfect on Paper
Sophie Gonzales
March 2021
Hachette Book Publishers

When sixteen-year-old Yin Mitchell is abducted, the news reverberates through the whole Year Ten class at Balmoral Ladies College. As the hours tick by, the girls know the chance of Yin being found alive is becoming smaller and smaller.

Everyone is affected by Yin’s disappearance—even scholarship student Chloe, who usually stays out of Balmoral dramas, is drawn into the maelstrom. And when she begins to form an uneasy alliance with Natalia, the queen of Year Ten, things get even more complicated.

Chilling and haunting, Leanne Hall’s latest YA novel The Gaps follows two high school students after one of their classmates is abducted. At first, the novel feels like a psychological thriller, like the crime is the central focus and we’ll find out what happened by the end of the novel. But, soon after 16-year-old Yin goes missing, the book unfolds into a nuanced tale about fear, vulnerability, and the frightening reality that Yin’s abduction could happen to any of the other girls in this book.

The novel feels very close to reality. Women being abducted, and often murdered, is a common occurrence in the news. Women don’t feel safe walking down the street, or even in their own homes, and Leanne takes that very real fear and embeds it into a really fantastic novel for teenagers. Young women reading The Gaps will relate to the sense of foreboding in the novel, the tension, and how scared the characters are.

“There had been a lot of gossip going around about various teachers, but the police profile seemed to have put an end to it. It said that the offender might travel with his job, and would definitely be away from home or work regularly. That couldn’t be any of our teachers.”

The Gaps navigates two different POVs. First, we meet scholarship student Chloe, who didn’t really know Yin but they shared classes together. Chloe is mature and compassionate, and possesses quite a calm yet fragile personality.

And then we meet fellow student Natalia, queen bee and resident popular girl in the school. She was best friends with Yin before high school, and holds great regret about the way their friendship fizzled. Natalia is traumatised by what’s happened; she’s snappy and spiky, with a short fuse. She’s angry, but she doesn’t quite know where to channel her energy.

Chloe and Natalia’s voices are unique and distinct, capturing very different teenagers. However, what they both have in common is a raw, emotional response to Yin’s disappearance. They can’t shake the feeling that they’ll never feel truly safe.

Leanne’s characters are expertly crafted and immensely relatable. Chloe and Natalia, among the secondary characters, are brave, bold and fierce.

“I want to ask her how that can be fair — what if there’s information that could keep more girls safe, if only they knew it? But I swallow the question, because the last thing I want to be, or look to be, is scared.”

Leanne’s writing is enchanting. She writes first person incredibly well, describing events around the characters with poise and visuality. Each chapter is a snapshot into Chloe and Natalia’s life, capturing moments of tension and wariness, but also great exhaustion. Women are sick of feeling so vulnerable, and scared of events that are outside of their control.

Chloe and Natalia are both insightful and observant, and incredibly likeable. Despite its harrowing subject matter, readers will love this book.

“I wonder if I can turn this burning feeling into anything good, anything meaningful. It seems impossible, I’m not even proper artist. Still, I open my sketchbook, find a blank page and start writing.”

The Gaps is a poignant, raw exploration of teenage friendship, grief, terror, and the fears that women develop from a young age. Highly recommended for readers of all ages.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Gaps
Leanne Hall
March 2021
Text Publishing

When Ollie meets Will over the summer break, he thinks he’s found his Happily Ever After. But once summer’s ended, Will stops texting him back, and Ollie finds himself short of his fairy-tale ending.

A family emergency sees Ollie uprooted and enrolled at a new school across the country – Will’s school – and Ollie finds that the sweet, affectionate and comfortably queer guy he knew from summer isn’t the same one attending Collinswood High. This Will is a class clown, a basketball jock and, well, a bit of a jerk.

The last time Ollie gave Will his heart, Will handed it back to him trampled and battered. Ollie would be a fool to trust him with it again. Right?

Heartfelt and uplifting, Only Mostly Devastated by Sophie Gonzales has been a surprise favourite for me these Christmas holidays. While I catch up on all the 2020 releases I’ve been meaning to read, I stumbled upon this YA romance novel and completely fell in love with it. Absorbed in the characters and the setting, I read this entire story in one day.

Ollie meets the gorgeous Will over summer break and the two fall in love. But then the holiday ends and Will won’t respond to Ollie’s texts. When Ollie’s family moves across the country to North Carolina and suddenly, the two boys are attending high school together, their secret summer fling is the least of their concerns. A modern day retelling of Grease, and just as charming.

“A familiar voice to my right made me start. Will. Of course it was. I couldn’t have five minutes’ reprieve from this absolute bad joke of a day, huh? He must be near the front door, from the sound of his voice. I couldn’t let him see me here alone. No way.”

A coming-of-age gay romance for the masses, strengths include the dialogue — snappy, witty and really quite hilarious. This is a novel that will attract and hold all audiences, not just teen readers. The characters are diverse and inclusive, and will appeal to LGBTQI+ audiences. Whilst set in the United States, all readers will recognise the high school environment and the complications that arise when love is involved.

The supporting cast of characters are just as rich and three-dimensional as Will and Ollie. The three girls that Ollie befriends, in particular, are a welcome addition to the story and are incredibly relatable. Ollie’s unwell Aunt also adds layers to the story — her place in Ollie’s life makes for an emotional read.

Heartfelt scenes between Will and Ollie will force readers to empathise with their plight. Ollie has already come out to family and friends, whereas Will has not. The novel is as much about their own journeys as gay men, as it is about their future as a couple.

“The conversation went on around me. I didn’t join in. It wasn’t super unusual for me to be quiet at lunch, and there was no way I felt comfortable enough to speak up with this audience. The weird thing was that Will didn’t speak, either.”

Only Mostly Devastated shows us what it’s like to live unapologetically, to follow your heart and chase what makes you happy. But the novel also illustrates the importance of only accepting what you deserve — Will struggles to come out about his sexuality, and his anxiety and inner torment means he doesn’t always treat Ollie respectfully, and it’s refreshing to see Ollie’s reaction to that. I’m sure many readers will find comfort in how their relationship changes and develops over the course of the novel.

“If it had come from someone else I might’ve been offended by that, but this girl had a way of half-smiling that made me feel like I was in on a joke with her. I decided I liked her.”

Highly recommended.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

Only Mostly Devastated
Sophie Gonzales
March 2020
Hachette Book Publishers